Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 8Gale Research Company, 1984 |
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Page 246
... audience - to us - is essentially different from anyone else's and this is es- tablished in his very first speech , in the unusual manner of opening a play with the solo appearance of the leading actor . Unusual , that is to say , for ...
... audience - to us - is essentially different from anyone else's and this is es- tablished in his very first speech , in the unusual manner of opening a play with the solo appearance of the leading actor . Unusual , that is to say , for ...
Page 288
... Audience not only what concerns the Subject of the Poem , but what is proper and necessary ; and makes a true Part of it . Thus Pros- pero to satisfy his Daughter of the Cause of his raising the Storm , very artfully lets the Audience ...
... Audience not only what concerns the Subject of the Poem , but what is proper and necessary ; and makes a true Part of it . Thus Pros- pero to satisfy his Daughter of the Cause of his raising the Storm , very artfully lets the Audience ...
Page 435
... audience to ratify his— and Shakespeare's - vision of “ Christian charity " by making it their own perspective on the world . ] Whether or not The Tempest was chronologically the last of Shakespeare's plays is a debatable and ultimately ...
... audience to ratify his— and Shakespeare's - vision of “ Christian charity " by making it their own perspective on the world . ] Whether or not The Tempest was chronologically the last of Shakespeare's plays is a debatable and ultimately ...
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action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words