Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 8Gale Research Company, 1984 |
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Page 471
... Tempest's relation to historical events , in particular the discovery of the New World , discerning an anti - utopian sen- timent in the play . Fiedler also evaluates the influence of New Comedy and the psychology of its father ...
... Tempest's relation to historical events , in particular the discovery of the New World , discerning an anti - utopian sen- timent in the play . Fiedler also evaluates the influence of New Comedy and the psychology of its father ...
Page 472
... Tempest and the Ancient Comic Tradition . " English Stage Comedy ( 1954 ) : 52-73 . Argues that The Tempest balances its fantastic elements with tra- ditional plotting and characters drawn from classical comedy . Knox specifically ...
... Tempest and the Ancient Comic Tradition . " English Stage Comedy ( 1954 ) : 52-73 . Argues that The Tempest balances its fantastic elements with tra- ditional plotting and characters drawn from classical comedy . Knox specifically ...
Page 473
... Tempest in Perspective . " Shakespeare Studies VII ( 1974 ) : 253-82 . Disputes readings of The Tempest that perceive a glorification of theurgy in the play . Pearson argues that during the course of the drama occult art and magic are ...
... Tempest in Perspective . " Shakespeare Studies VII ( 1974 ) : 253-82 . Disputes readings of The Tempest that perceive a glorification of theurgy in the play . Pearson argues that during the course of the drama occult art and magic are ...
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action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words