Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 8Gale Research Company, 1984 |
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Page 137
... Shake- speare's or from a copy based on an actors ' reconstruction ; in short , Patrick's theory has never been proved or disproved , and critics thus continue to debate the question of the origins and relative authority of the Q1 and ...
... Shake- speare's or from a copy based on an actors ' reconstruction ; in short , Patrick's theory has never been proved or disproved , and critics thus continue to debate the question of the origins and relative authority of the Q1 and ...
Page 364
... Shake- spearian unity . " Knight argued that this unity lay in Shake- speare's poetic use of images and symbols — particularly in the opposition of " tempests " and " music . " He also maintained that a play's spatial aspects , or ...
... Shake- spearian unity . " Knight argued that this unity lay in Shake- speare's poetic use of images and symbols — particularly in the opposition of " tempests " and " music . " He also maintained that a play's spatial aspects , or ...
Page 471
... Shake- spearean plays . Frye contends that Shakespeare incorporated the drama of folk ritual — or the drama of the green world — into tra- ditional comedy , and he further points out the pattern of death and renewal common to both ...
... Shake- spearean plays . Frye contends that Shakespeare incorporated the drama of folk ritual — or the drama of the green world — into tra- ditional comedy , and he further points out the pattern of death and renewal common to both ...
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action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words