Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 113
... Rome , in which Caesar represents the Antichrist . Parker explains that Shakespeare seemed to imply that the mob's ... Rome and England . Yoder maintains that Rome and the England of Shakespeare's history plays may be viewed as studies ...
... Rome , in which Caesar represents the Antichrist . Parker explains that Shakespeare seemed to imply that the mob's ... Rome and England . Yoder maintains that Rome and the England of Shakespeare's history plays may be viewed as studies ...
Page 121
... Rome in the past . Eliminating the new would - be tyrant , Brutus will repeat his ancestor's act of salvation and earn for himself a place in the history of Rome . Cassius's narrative bait appeals successfully to Brutus's sense of his ...
... Rome in the past . Eliminating the new would - be tyrant , Brutus will repeat his ancestor's act of salvation and earn for himself a place in the history of Rome . Cassius's narrative bait appeals successfully to Brutus's sense of his ...
Page 142
... Rome itself . The parallel between ancient Rome and modern America was enunciated by the film's technical advisor : " Rome was a fast - growing city , but . . . the general shape of its central sections had not changed . . . in the same ...
... Rome itself . The parallel between ancient Rome and modern America was enunciated by the film's technical advisor : " Rome was a fast - growing city , but . . . the general shape of its central sections had not changed . . . in the same ...
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actors Antony Antony's audience becomes Brutus Brutus's Cade Cade's Cambridge Cassius castration Cesario character comedy comic conspiracy conspirators critics cultural death disguise dramatic Duke early modern edition Edward Elizabethan England English essay date eunuch female Feste Feste's film gender Gentlemen of Verona Gloucester gulling Henry VI Henry VI plays Henry's History Plays Humphrey Illyria Jack Cade Joan John Julia Julius Caesar King King Lear Launce literary London lover male Malvolio Margaret ment mimetic moral murder narrative noble Nunn Nunn's Olivia Orsino Oxford performance play's plot political Portia present Press production Proteus Queen relationship Renaissance reveals Richard Richard III role Roman Rome says scene Sebastian seems sense sexual Shake Shakespeare Shakespeare's plays Silvia Sir Toby social speare speare's speech sport stage Suffolk suggests theatre theatrical thee thou tion tragedy Twelfth Night twins Valentine Viola William Shakespeare woman women words York