Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 38Gale Research Company, 1998 |
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Page 76
... scene cre- ates the background for the hero's interest - military honours and the adventures of war ; the third scene promotes Helena's interest - her love for Bertram . The interview at Court gains credit for Bertram through the King's ...
... scene cre- ates the background for the hero's interest - military honours and the adventures of war ; the third scene promotes Helena's interest - her love for Bertram . The interview at Court gains credit for Bertram through the King's ...
Page 390
... scene ( Act V , scene iv ) 4 : 17 , 21 , 28 , 29 , 35 , 38 , 78 , 105 , 108 , 134 , 150 , 167 wager plot 4 : 18 , 24 , 29 , 53 , 78 , 155 ; 22 : 365 ; 25 : 319 Hamlet ambiguity or mystery , role of 1 : 92 , 160 , 198 , 227 , 230 , 234 ...
... scene ( Act V , scene iv ) 4 : 17 , 21 , 28 , 29 , 35 , 38 , 78 , 105 , 108 , 134 , 150 , 167 wager plot 4 : 18 , 24 , 29 , 53 , 78 , 155 ; 22 : 365 ; 25 : 319 Hamlet ambiguity or mystery , role of 1 : 92 , 160 , 198 , 227 , 230 , 234 ...
Page 395
... scenes 22 : 365 dagger scene ( Act III , scene i ) , staging of 20 : 406 evil 3 : 194 , 208 , 231 , 234 , 239 , 241 , 267 , 289 ; 20 : 203 , 206 , 210 , 374 free will vs. fate 3 : 177 , 183 , 184 , 190 , 196 , 198 , 202 , 207 , 208 ...
... scenes 22 : 365 dagger scene ( Act III , scene i ) , staging of 20 : 406 evil 3 : 194 , 208 , 231 , 234 , 239 , 241 , 267 , 289 ; 20 : 203 , 206 , 210 , 374 free will vs. fate 3 : 177 , 183 , 184 , 190 , 196 , 198 , 202 , 207 , 208 ...
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Actaeon action Adonis's All's audience beauty bed-trick Berowne Berowne's Bertram blood character closure comedy comic conventional Countess critics Cymbeline death desire Diana doth dramatic Elizabeth Elizabethan epyllion erotic essay date Falstaff father female final Ford Giletta hath Helena honor husband ideal King King's kiss ladies Lafew language lines London lords Love's Labour's Lost lovers lust male marriage married masculine means ment Merry Wives metaphor Mistress moral Navarre Othello Ovid Parolles Parolles's passion Petrarchan Phoenix play's plot poem Princess problem Problem Comedies Queen Renaissance ring role romantic romantic love Romeo and Juliet Rosaline says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean comedy social Sonnet Sonnet 34 speare's speech story suggests sweet symbolic thee theme thou tion traditional Troilus and Cressida trompe-l'oeil truth Turtle Venus and Adonis Venus's virginity wife Wives of Windsor woman women wooing words young