Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 38Gale Research Company, 1998 |
From inside the book
Results 1-3 of 84
Page 20
... object resolve itself into lines on a canvas , we are no longer convinced ; we have to be deceived - and then to acknowledge our own deception . The gap between these two moments is the place , Lacan affirms , of the objet a , the lost ...
... object resolve itself into lines on a canvas , we are no longer convinced ; we have to be deceived - and then to acknowledge our own deception . The gap between these two moments is the place , Lacan affirms , of the objet a , the lost ...
Page 114
... object of desire , like Clare in The Miseries , Aspatia in The Maid's Tragedy , or Penthea in The Broken Heart , she perishes out of fidelity to that relationship . If she is the wife put through the testing and suffering of a Griselda ...
... object of desire , like Clare in The Miseries , Aspatia in The Maid's Tragedy , or Penthea in The Broken Heart , she perishes out of fidelity to that relationship . If she is the wife put through the testing and suffering of a Griselda ...
Page 200
... object ( le petit objet a ) . As the child acquires language he enters the symbolic realm , which is also the realm of oedipal orientation : he takes as his object of desire the father's object of desire , the mother . Though his desire ...
... object ( le petit objet a ) . As the child acquires language he enters the symbolic realm , which is also the realm of oedipal orientation : he takes as his object of desire the father's object of desire , the mother . Though his desire ...
Other editions - View all
Common terms and phrases
Actaeon action Adonis's All's audience beauty bed-trick Berowne Berowne's Bertram blood character closure comedy comic conventional Countess critics Cymbeline death desire Diana doth dramatic Elizabeth Elizabethan epyllion erotic essay date Falstaff father female final Ford Giletta hath Helena honor husband ideal King King's kiss ladies Lafew language lines London lords Love's Labour's Lost lovers lust male marriage married masculine means ment Merry Wives metaphor Mistress moral Navarre Othello Ovid Parolles Parolles's passion Petrarchan Phoenix play's plot poem Princess problem Problem Comedies Queen Renaissance ring role romantic romantic love Romeo and Juliet Rosaline says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean comedy social Sonnet Sonnet 34 speare's speech story suggests sweet symbolic thee theme thou tion traditional Troilus and Cressida trompe-l'oeil truth Turtle Venus and Adonis Venus's virginity wife Wives of Windsor woman women wooing words young