Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 41
... figure , in a recumbent , semi - reclining , or kneeling posi- tion . Philippe Ariés says this model “ dominate [ d ] funeral iconography from the late Middle Ages to the beginning of modern times . " Although precursors of such tombs ...
... figure , in a recumbent , semi - reclining , or kneeling posi- tion . Philippe Ariés says this model “ dominate [ d ] funeral iconography from the late Middle Ages to the beginning of modern times . " Although precursors of such tombs ...
Page 376
... figure 22 : 339 objectification of 43 : 329 ; 59 : 323 as sympathetic figure 3 : 557 , 560 , 604 , 609 ; 18 : 284 , 423 ; 22 : 58 ; 27 : 396 , 400 ; 43 : 305 ; 59 : 234 , 245 as a Trojan 59 : 257 Dark Lady Sonnets 10 : 161 , 167 , 176 ...
... figure 22 : 339 objectification of 43 : 329 ; 59 : 323 as sympathetic figure 3 : 557 , 560 , 604 , 609 ; 18 : 284 , 423 ; 22 : 58 ; 27 : 396 , 400 ; 43 : 305 ; 59 : 234 , 245 as a Trojan 59 : 257 Dark Lady Sonnets 10 : 161 , 167 , 176 ...
Page 378
... figure 49 : 186 as usurper 49 : 116 , 137 Richard II Bolingbroke and Richard as opposites 24 : 423 Bolingbroke - Mowbray dispute 22 : 137 comic elements 28 : 134 guilt 24 : 423 ; 39 : 279 language and imagery 6 : 310 , 315 , 331 , 347 ...
... figure 49 : 186 as usurper 49 : 116 , 137 Richard II Bolingbroke and Richard as opposites 24 : 423 Bolingbroke - Mowbray dispute 22 : 137 comic elements 28 : 134 guilt 24 : 423 ; 39 : 279 language and imagery 6 : 310 , 315 , 331 , 347 ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York