Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 114
... London : Duke University Press , 1989 ) , pp . 127-47 . 2. Jonathan Goldberg , Sodometries : Renaissance Texts , Modern Sexualities ( Stanford , Calif .: Stanford University Press , 1992 ) , pp . 161 , 163 . 3. For an account of Bill ...
... London : Duke University Press , 1989 ) , pp . 127-47 . 2. Jonathan Goldberg , Sodometries : Renaissance Texts , Modern Sexualities ( Stanford , Calif .: Stanford University Press , 1992 ) , pp . 161 , 163 . 3. For an account of Bill ...
Page 214
... ( London , 1966 ) , p . 171 . 21. M. C. Bradbrook , The Living Monument : Shake- speare and the Theatre of His Time ( London , 1979 ) , pp . 171-72 . 22. See F. N. Lees , " Coriolanus , Aristotle , and Bacon , " Review of English Studies ...
... ( London , 1966 ) , p . 171 . 21. M. C. Bradbrook , The Living Monument : Shake- speare and the Theatre of His Time ( London , 1979 ) , pp . 171-72 . 22. See F. N. Lees , " Coriolanus , Aristotle , and Bacon , " Review of English Studies ...
Page 239
... ( London , 1894 ) , II , 491 ; Gerusalemme Lib- erata , XVI.3 ; F. Q. V.v.24 , V.viii.2 . See also Cooper , s . v . " Omphale " ; Florios Second Frvtes ( London , 1591 ) , p . 167 ; Fraunce , fol . 47 ' . 25. The Heroycall Epistles of the ...
... ( London , 1894 ) , II , 491 ; Gerusalemme Lib- erata , XVI.3 ; F. Q. V.v.24 , V.viii.2 . See also Cooper , s . v . " Omphale " ; Florios Second Frvtes ( London , 1591 ) , p . 167 ; Fraunce , fol . 47 ' . 25. The Heroycall Epistles of the ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York