Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 pages This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Page 7
... represent the play's critical reception in English , including those works which have been translated into English . The editors have tried to identify only the major critics and lines of inquiry for each play . Each entry represents a ...
... represent the play's critical reception in English , including those works which have been translated into English . The editors have tried to identify only the major critics and lines of inquiry for each play . Each entry represents a ...
Page 314
... represented love in its one - sidedness , namely , sensual passion ; the second comic group represents erudition in its one - sidedness , namely , pompous pedantry ; both taken together show the comic extremes of love on the one hand ...
... represented love in its one - sidedness , namely , sensual passion ; the second comic group represents erudition in its one - sidedness , namely , pompous pedantry ; both taken together show the comic extremes of love on the one hand ...
Page 396
... represented action ; cu- riosity contributes nothing to our delight , for the Duke , in the disguise of a Monk , is ... represents his influence as beneficial . We find in him none of the black and knavish monks , which an enthusiasm ...
... represented action ; cu- riosity contributes nothing to our delight , for the Duke , in the disguise of a Monk , is ... represents his influence as beneficial . We find in him none of the black and knavish monks , which an enthusiasm ...
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A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words