Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 pages This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Page 203
... comes to employ it extensively now only under the compulsion of a personal need and as a means of experiment and discovery ; and that the tradition of the Morality and of allegory was not so dead as not to be able to give aid to what he ...
... comes to employ it extensively now only under the compulsion of a personal need and as a means of experiment and discovery ; and that the tradition of the Morality and of allegory was not so dead as not to be able to give aid to what he ...
Page 250
... comes as naturally as breathing and twice as quick . And , what is particularly unlike the situation in the earlier tragedies , the hero's destiny is self - made . Lear does not inherit his predicament like Hamlet ; he is not duped by ...
... comes as naturally as breathing and twice as quick . And , what is particularly unlike the situation in the earlier tragedies , the hero's destiny is self - made . Lear does not inherit his predicament like Hamlet ; he is not duped by ...
Page 451
... comes , we feel , from the centre ) , is some- thing to which she , with her armoured virtue , can't attain . We note further that this advantage over her that Lucio has ( for we feel it to be that , little as he has our sympathy in ...
... comes , we feel , from the centre ) , is some- thing to which she , with her armoured virtue , can't attain . We note further that this advantage over her that Lucio has ( for we feel it to be that , little as he has our sympathy in ...
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A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words