Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 pages This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Page 200
... become almost independent of the speakers . The imagery becomes the means by which these forces of nature enter into the play and take part therein as active agents . These sequences of imagery , such as are to be found , for example ...
... become almost independent of the speakers . The imagery becomes the means by which these forces of nature enter into the play and take part therein as active agents . These sequences of imagery , such as are to be found , for example ...
Page 201
... becomes a victim of self - delusion and madness , the more it becomes the task of the Fool to express in epi- grammatic images the unreality of Lear's behaviour , his self- deception and his error . The images of the Fool are the dry ...
... becomes a victim of self - delusion and madness , the more it becomes the task of the Fool to express in epi- grammatic images the unreality of Lear's behaviour , his self- deception and his error . The images of the Fool are the dry ...
Page 259
... becomes the emblem of the illicit and dangerously mediate - so clearly so that the sight of Lear read- ing a letter would strike us as somehow incongruous ; for a letter is speech reduced to signs , discourse become manifestly indirect ...
... becomes the emblem of the illicit and dangerously mediate - so clearly so that the sight of Lear read- ing a letter would strike us as somehow incongruous ; for a letter is speech reduced to signs , discourse become manifestly indirect ...
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A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words