The Art of John Gardner: Instruction and Exploration |
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Page 7
... allusions and the integration of borrowed literary material into his own texts to explore and communicate whatever " truths " he arrives at in his writing ( Chapter 5 ) . This " echoic method " is the most tangible result of his deep ...
... allusions and the integration of borrowed literary material into his own texts to explore and communicate whatever " truths " he arrives at in his writing ( Chapter 5 ) . This " echoic method " is the most tangible result of his deep ...
Page 23
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Page 88
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Page 89
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Page 90
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aesthetic Agathon allusions argues artistic beauty Beowulf Blanshard Boethius borrowed Brand Blanshard calls chapter characters Chaucer civilization Clumly Coleridge collage technique Collingwood concept context Croce death dialectical dragon emotion epistemological experience exploration expression fact fallibility feels Flint Freddy's Book Gard Gardner says Gardner's fiction Gawain-poet Grendel Hrothgar Hrothgar's human ideal ideas ideational important intuitions Ishmael Jason and Medeia Jerusalem John Gardner Jonathan King's Indian Lars-Goren Le Morte Darthur literary literature man's meaning meaningless medieval Melville metafictional metaphysical Mickelsson's Ghosts mind Miranda Moby-Dick Moral Fiction narrative narrator nature ner's Nickel Mountain novel novella October Light pastoral philosophical Poe's poem poet Poetry of Chaucer possible Pym's rational morality reader reality reason scene sense Shaper spiritual story Sunlight Dialogues symbolic tale thematic theory things tion tradition truth Unferth universe VanSpanckeren vision Vlemk Wilkins Winther writer yarn