Not half a dozen, I think, out of his own family, were aware, during the whole period in which he was employed on his "Ferdinand and Isabella," that he was occupied with any considerable literary undertaking, and hardly anybody knew what it was. Most of his friends thought that he led rather an idle, unprofitable life, but attributed it to his infirmity, and pardoned or overlooked it as a misfortune, rather than as anything discreditable. On one occasion a near connection, whom he was in the habit of meeting in the most familiar and pleasant manner at least once a week, affectionately urged him to undertake some serious occupation as a thing essential to his happiness, and even to his respectable position in society. And yet, at that moment, he had been eight years laboring on his first great work; and, though thus pressed and tempted, he did not confess how he was employed. He was sensitive from his very nature as well as from the infirmities that beset him; and this sensitiveness of temperament made it more than commonly disagreeable to him to have his exact habits interfered with or intruded upon. But he did not willingly permit his annoyance to be seen, and few ever suspected that he felt it. When he was riding or taking his long walks, he was, as we have seen, in the habit of going over and over again in his memory whatever he might last have composed, and thus correcting and finishing his work in a way peculiarly agreeable to himself. Of course, under such circumstances, any interruption to the current of his thoughts was unwelcome. And yet who of the hundreds that stopped him in his daily walks, or joined him on horseback, eager for his kindly greeting or animated conversation, was ever received with any other than a pleasant welcome? During one winter, I know that the same friend overtook him so often in his morning ride, that he gave up his favorite road to avoid a kindness which he was not willing to seem to decline. His father and he understood one another completely on this point. They often mounted at the same time, but always turned their horses in different directions. Nor was there in his intercourse at home or abroad-with strangers or with his familiar friends-any noticeable trace of the strict government to which he subjected his time and his character. In his study everything went on by rule. His table and his papers were always in the nicest order. His chair stood always in the same spot, and-what was important in the same relations to the light. The furniture of the room was always arranged in the same manner. The hours, and often even the minutes, were counted and appropriated. But when he came out from his work and joined his family, the change was complete,-the relaxation absolute. Especially in the latter part of his life, and in the cheerful parlor of the old homestead at Pepperell, surrounded by his children and their young friends, his gay spirits were counted upon by all as an unfailing resource. The evening games could not be begun, the entertaining book could not be opened, until he had come from his work, and taken his accustomed place in the circle which his presence always made bright. Lydia Huntley Sigourney. BORN in Norwich, Conn., 1791. DIED at Hartford, Conn., 1865. On! on! Creation's secrets probe, DE DEATH OF AN INFANT. EATH found strange beauty on that polished brow On cheek and lip. He touched the veins with ice, His seal of silence. But there beamed a smile So fixed, so holy, from that cherub brow, Death gazed-and left it there. He dared not steal BERNARDINE DU BORN. KING HENRY sat upon his throne, And full of wrath and scorn, His eye a recreant knight surveyed- And he that haughty glance returned, And loftily his unchanged brow Gleamed through his crisped hair. "Thou art a traitor to the realm, Lord of a lawless band, The bold in speech, the fierce in broil, The troubler of our land; Thy castles, and thy rebel-towers, Are forfeit to the crown, And thou beneath the Norman axe Shalt end thy base renown. "Deignest thou no word to bar thy doom, Sir Bernard turned him toward the king, Quick at that name a cloud of woe The fair, the graceful, the sublime, And ever, cherished by his side, With him the merry chase he sought With him in knightly tourney rode, Then in the mourning father's soul Each trace of ire grew dim, And what his buried idol loved Seemed cleansed of guilt to himAnd faintly through his tears he spake, "God send his grace to thee, And for the dear sake of the dead, Go forth-unscathed and free." THE TRIAL OF THE DEAD. [The Western Home and Other Poems. 1854.] THE spears at Corrichie were bright, Where, with a stern command, The Earl of Huntley ranged his host Upon their native strand. From many a Highland strath and glen They at his summons came, A stalwart band of fearless men, Then, from Edina's royal court Fierce Murray northward sped, And rushed his envied foe to meet They met, they closed, they struggled sore, Like waves when tempests blow, The slogan-music high in air, The sound of groans below. They broke, they wheeled, they charged again, Till on the ensanguined ground The noble Gordon lifeless lay, Transpierced with many a wound. Long from her tower his Lady looked: "I see a dusky cloud, And there, behold! comes floating high Earl Huntley's banner proud." Then, deep she sighed, for rising mist 'Twas but an autumn-bough that mocked His mother by the ingle sate, Her head upon her knee, And murmured low in hollow tone, "He'll ne'er come back to thee." "Hist, Lady, mother! hear I not As when the victor-surf doth tread Not toward the loop-hole raised her head But whispered in her troubled soul, "Thy Lord returns no more! "A funeral march is in my ear, A scattered host I see," And, straining wild, her sunken eye Gazed out on vacancy. Back to their homes, the Gordon clan Stole with despairing tread, While to the vaults of Holyrood Was borne their chieftain dead. |