Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 342
... discourse , identifying it as related but inferior , the primitive or imperfect forerunner of modern discourse , thus simultaneously drawing on its " religious " ( that is , metaphorical or mythic ) qualities to validate es- sentialist ...
... discourse , identifying it as related but inferior , the primitive or imperfect forerunner of modern discourse , thus simultaneously drawing on its " religious " ( that is , metaphorical or mythic ) qualities to validate es- sentialist ...
Page 343
... discourse ( the discourse of analysis and reference , of historicism , of experimentalism ) " ( Reiss , 29-30 ) . Language itself , in its re - presentative function , insists on the resolution of the multiple actions that are revealed ...
... discourse ( the discourse of analysis and reference , of historicism , of experimentalism ) " ( Reiss , 29-30 ) . Language itself , in its re - presentative function , insists on the resolution of the multiple actions that are revealed ...
Page 344
... discourse ; the texts featured by both Catherine Belsey in The Subject of Tragedy ( Chicago : Univ . of Chicago Press , 1984 ) firmly root the discursive developments they address in Elizabethan culture . Timothy Reiss's The Discourse ...
... discourse ; the texts featured by both Catherine Belsey in The Subject of Tragedy ( Chicago : Univ . of Chicago Press , 1984 ) firmly root the discursive developments they address in Elizabethan culture . Timothy Reiss's The Discourse ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York