Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 77Gale Research Company, 1984 |
From inside the book
Results 1-3 of 64
Page 101
... lovers run into is the compul- sion , which even Armado feels , to write sonnets — a compulsion in itself conventional and artificial and even more conventional and artificial in the forms of wit and sentiment it specialises in . There ...
... lovers run into is the compul- sion , which even Armado feels , to write sonnets — a compulsion in itself conventional and artificial and even more conventional and artificial in the forms of wit and sentiment it specialises in . There ...
Page 105
... lovers , and the Pe- trarchan and Neoplatonic style of the lovers ' addresses , eyes and stars and heavenly truth and beauty , are suf- ficiently prominent for the satire on courtly love conven- tions to be highly entertaining . But the ...
... lovers , and the Pe- trarchan and Neoplatonic style of the lovers ' addresses , eyes and stars and heavenly truth and beauty , are suf- ficiently prominent for the satire on courtly love conven- tions to be highly entertaining . But the ...
Page 125
... lovers . The futility of Navarre's designs is first exposed by Berowne , who , before the entrance of the ladies in Act II , operates as a natural balance to the Art school ( I.i.55- 69 ) . Consequently , it is Berowne , who , early in ...
... lovers . The futility of Navarre's designs is first exposed by Berowne , who , before the entrance of the ladies in Act II , operates as a natural balance to the Art school ( I.i.55- 69 ) . Consequently , it is Berowne , who , early in ...
Contents
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Copyright | |
12 other sections not shown
Other editions - View all
Common terms and phrases
actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York