Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 19Gale Research Company, 1984 |
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Page 280
... playgoer can hardly be blamed for seeing Othello in a bad light if that is the only light a playgoer is given . Some playgoers may ignore these red herrings and see an admirable Moor even in the opening scene by means of the following ...
... playgoer can hardly be blamed for seeing Othello in a bad light if that is the only light a playgoer is given . Some playgoers may ignore these red herrings and see an admirable Moor even in the opening scene by means of the following ...
Page 281
... playgoer must ig- nore or somehow transform some of this evidence . Each playgoer must decide what constitutes evidence and what to make of it . What one sees as evidence will depend on how one wears one's eyes . 14 Some playgoers wear ...
... playgoer must ig- nore or somehow transform some of this evidence . Each playgoer must decide what constitutes evidence and what to make of it . What one sees as evidence will depend on how one wears one's eyes . 14 Some playgoers wear ...
Page 284
... playgoer in an awk- ward position . One can see a suspicious Othello in the epi- sode if one is suspicious oneself - one can blind oneself to Othello's " pain " and see it instead as guilt . Or one can see a trusting Othello if one ...
... playgoer in an awk- ward position . One can see a suspicious Othello in the epi- sode if one is suspicious oneself - one can blind oneself to Othello's " pain " and see it instead as guilt . Or one can see a trusting Othello if one ...
Contents
Taming the Womans | 3 |
Anamorphism | 21 |
Antipholus Katherine and Proteus | 41 |
Copyright | |
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