Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 19Gale Research Company, 1984 |
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Page 89
... Coriolanus's camp . No substitute for the blustering , humor- ous , sagacious father figure is anywhere to be found . In keeping with the classical austerity of the text ( Virgilia's lapse aside ) , Thomson's staging is tasteful and ...
... Coriolanus's camp . No substitute for the blustering , humor- ous , sagacious father figure is anywhere to be found . In keeping with the classical austerity of the text ( Virgilia's lapse aside ) , Thomson's staging is tasteful and ...
Page 287
... Coriolanus . If they were really jeal- ous , that Coriolanus had a Design on their Liberties , when he stood for the Consulship , it was but just that they should give him a Repulse ; but to get the Cham- pion and Defender of their ...
... Coriolanus . If they were really jeal- ous , that Coriolanus had a Design on their Liberties , when he stood for the Consulship , it was but just that they should give him a Repulse ; but to get the Cham- pion and Defender of their ...
Page 446
... Coriolanus' pride to work his ruin. They hate him for his superiority, his essential aristocracy: which hate is itself but another pride in themselves. (173–4) ... We have a triple set of proud forces here: (i) Coriolanus and his mother ...
... Coriolanus' pride to work his ruin. They hate him for his superiority, his essential aristocracy: which hate is itself but another pride in themselves. (173–4) ... We have a triple set of proud forces here: (i) Coriolanus and his mother ...
Contents
Taming the Womans | 3 |
Anamorphism | 21 |
Antipholus Katherine and Proteus | 41 |
Copyright | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona desire discourse drama dream Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Olivier's Othello perception performance Pericles play play's playgoer plot political Posthumus Prince Prospero queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ Winter's Tale witchcraft witches woman women words York