Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 9
... whole house ; the young people especially showed such a becoming sensibility , as gives me hopes virtue has a stronger party in the rising generation , than those of my age in general are inclined to allow . I think it a great mark of ...
... whole house ; the young people especially showed such a becoming sensibility , as gives me hopes virtue has a stronger party in the rising generation , than those of my age in general are inclined to allow . I think it a great mark of ...
Page 85
... whole scene skipping ? ' and I replied " The tragedy of having to do a play that is so marvellous is that you can't do that kind of thing . Only where you really feel confident that bits are badly written or boring does one have the ...
... whole scene skipping ? ' and I replied " The tragedy of having to do a play that is so marvellous is that you can't do that kind of thing . Only where you really feel confident that bits are badly written or boring does one have the ...
Page 228
... whole : -separate scenes , and single passages , were given with admirable truth , vigour and beauty , but the entire character was comparatively unstudied and unworked , and gave one no sense of a complete concep- tion , or a ...
... whole : -separate scenes , and single passages , were given with admirable truth , vigour and beauty , but the entire character was comparatively unstudied and unworked , and gave one no sense of a complete concep- tion , or a ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words