Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
From inside the book
Results 1-3 of 83
Page 113
... tion of the subsequent dramatic action , and the result was a confusion of irreconcilable perspectives . In Evans's judgment , Donald Sinden masterfully established in the early scenes a " strong sense of dynasty and of domestic tension ...
... tion of the subsequent dramatic action , and the result was a confusion of irreconcilable perspectives . In Evans's judgment , Donald Sinden masterfully established in the early scenes a " strong sense of dynasty and of domestic tension ...
Page 229
... tion of self - possession , and the majestic and dignified courte- sy with which he salutes the Venetian envoy on leaving him . The last scene of the play presents technical difficulties in its adequate representation which have never ...
... tion of self - possession , and the majestic and dignified courte- sy with which he salutes the Venetian envoy on leaving him . The last scene of the play presents technical difficulties in its adequate representation which have never ...
Page 355
... tion throughout the remainder of it . Othello draws " the cur- tains " -presumably those on the bed - before opening the door for Emilia ( 1. 104 ) . Their dialogue about the attempt on Cassio's life takes much of its dramatic tension ...
... tion throughout the remainder of it . Othello draws " the cur- tains " -presumably those on the bed - before opening the door for Emilia ( 1. 104 ) . Their dialogue about the attempt on Cassio's life takes much of its dramatic tension ...
Other editions - View all
Common terms and phrases
action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words