Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
From inside the book
Results 1-3 of 86
Page 327
... thought is broad , his spirit strong and sweet . You pity him not less than Desdemona from your inmost soul ; his agony wrings your heart ; his tragedy is yours , and that of all humanity . Sal- vini's Moor excites no sympathy with him ...
... thought is broad , his spirit strong and sweet . You pity him not less than Desdemona from your inmost soul ; his agony wrings your heart ; his tragedy is yours , and that of all humanity . Sal- vini's Moor excites no sympathy with him ...
Page 335
... thought her as brave as she was generous , as high of heart as she was sweet of nature , or had he regarded her as a soft , in- sipid , plastic creature , ready to do any one's bidding , and sub- mit placidly to any ill - usage from ...
... thought her as brave as she was generous , as high of heart as she was sweet of nature , or had he regarded her as a soft , in- sipid , plastic creature , ready to do any one's bidding , and sub- mit placidly to any ill - usage from ...
Page 388
... thought a great objection to per- forming it . When the play was reviv'd two winters ago , it was generally thought , that the sudden change of Romeo's love from Rosaline to Juliet was a blemish in his character , and therefore it is to ...
... thought a great objection to per- forming it . When the play was reviv'd two winters ago , it was generally thought , that the sudden change of Romeo's love from Rosaline to Juliet was a blemish in his character , and therefore it is to ...
Other editions - View all
Common terms and phrases
action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words