Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 134
... storm . It is worth attention because it shows the often very fine creative imagination by which , in the modern directorial theatre , Shakespeare's own imaginative effort , his text , is swallowed up . " The unifying factor " in the storm ...
... storm . It is worth attention because it shows the often very fine creative imagination by which , in the modern directorial theatre , Shakespeare's own imaginative effort , his text , is swallowed up . " The unifying factor " in the storm ...
Page 156
... storm , shouting , “ O fool , I shall go mad ! " [ II . iv . 286 ] . The cadences of the storm begin . The others are left in a trough of complicity . What has to be said ? That was the King . They speak with the trepidation of ...
... storm , shouting , “ O fool , I shall go mad ! " [ II . iv . 286 ] . The cadences of the storm begin . The others are left in a trough of complicity . What has to be said ? That was the King . They speak with the trepidation of ...
Page 157
... storm , became it . The process of hallu- cination culminated in the arraignment of the universe at the trial of the daughters ; and there , even the famous joint - stool was invented by the Fool , in a wild improvisation , provoked by ...
... storm , became it . The process of hallu- cination culminated in the arraignment of the universe at the trial of the daughters ; and there , even the famous joint - stool was invented by the Fool , in a wild improvisation , provoked by ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words