Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 80
... sense of di- rection . He puts a splodge of red paint onto his canvas and only after it is on does he decide it might be a good idea to add a little green , to make a vertical line here or a horizontal line there . It's the same with ...
... sense of di- rection . He puts a splodge of red paint onto his canvas and only after it is on does he decide it might be a good idea to add a little green , to make a vertical line here or a horizontal line there . It's the same with ...
Page 334
... sense of merit in him whom she loved , laying aside every consideration of kindred , and country , and colour , and wedding with a coal - black Moor- ( for such he is represented , in the imperfect state of knowledge respecting foreign ...
... sense of merit in him whom she loved , laying aside every consideration of kindred , and country , and colour , and wedding with a coal - black Moor- ( for such he is represented , in the imperfect state of knowledge respecting foreign ...
Page 454
... sense of phrasing that's almost unequalled . And there was Larry Olivier , who was in a sense , the most of an in- novator . He above all went for character . . . ( Play- ing Shakespeare ) Gielgud conveyed the more elegant Romeo - and ...
... sense of phrasing that's almost unequalled . And there was Larry Olivier , who was in a sense , the most of an in- novator . He above all went for character . . . ( Play- ing Shakespeare ) Gielgud conveyed the more elegant Romeo - and ...
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