Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
From inside the book
Results 1-3 of 82
Page 175
... production of Lear on tour in New York . McCarten suggests that his lack of enthusiasm may be directly related to the " deplorable " acous- tics at the Lincoln Center theater , which frequently trans- formed Shakespeare's tragedy into a ...
... production of Lear on tour in New York . McCarten suggests that his lack of enthusiasm may be directly related to the " deplorable " acous- tics at the Lincoln Center theater , which frequently trans- formed Shakespeare's tragedy into a ...
Page 370
... production , including the strong cast led by Laurence Olivier's Othello , Maggie Smith's Desdemona , and Frank Finlay's Iago . Lejeune , C. A. " All's Welles . " The Times ( 26 February 1956 ) : 9 . Discerns several problems in ...
... production , including the strong cast led by Laurence Olivier's Othello , Maggie Smith's Desdemona , and Frank Finlay's Iago . Lejeune , C. A. " All's Welles . " The Times ( 26 February 1956 ) : 9 . Discerns several problems in ...
Page 376
... production's physical aspects and focus on the performances , they judged Booth incapable of portraying a convincing Romeo . The scenario was repeated in London in 1882 when Henry Irving revived Romeo and Juliet at his newly refur ...
... production's physical aspects and focus on the performances , they judged Booth incapable of portraying a convincing Romeo . The scenario was repeated in London in 1882 when Henry Irving revived Romeo and Juliet at his newly refur ...
Other editions - View all
Common terms and phrases
action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words