Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 2
... original , for it retained the order of scenes established by Tate . Macready's pagan setting for Lear , with stone circles suggestive of Druidism and scenic elements intended to represent Saxon Britain , helped initiate the nineteenth ...
... original , for it retained the order of scenes established by Tate . Macready's pagan setting for Lear , with stone circles suggestive of Druidism and scenic elements intended to represent Saxon Britain , helped initiate the nineteenth ...
Page 20
... original order of scenes , and a male actor in the role of the Fool . Phelps muted the king's heroic stature and emphasized the pathos of the despised father . The production was marred , most critics felt , by the portrayal of an ...
... original order of scenes , and a male actor in the role of the Fool . Phelps muted the king's heroic stature and emphasized the pathos of the despised father . The production was marred , most critics felt , by the portrayal of an ...
Page 388
... original with Garrick , and hunters for plagiarism can find no more than five lines taken over from Otway . This letter , however , did produce Garrick's ac- knowledgment of his reliance upon the Restoration drama- tist , which he ...
... original with Garrick , and hunters for plagiarism can find no more than five lines taken over from Otway . This letter , however , did produce Garrick's ac- knowledgment of his reliance upon the Restoration drama- tist , which he ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words