Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 13
... nature , of reason , and without any energy of purpose , or power of action left , —with the grounds of all hope and comfort failing under it , —but sustained , reared to a majestic height out of the yawning abyss , by the force of the ...
... nature , of reason , and without any energy of purpose , or power of action left , —with the grounds of all hope and comfort failing under it , —but sustained , reared to a majestic height out of the yawning abyss , by the force of the ...
Page 37
... nature has clothed him , to assume the shaggy hide of a lion , and act up to it , were to play the wizard ; and the days of wizards are past . These early moods of unrestrained fury , a human tem- pest to match Nature's dread convulsion ...
... nature has clothed him , to assume the shaggy hide of a lion , and act up to it , were to play the wizard ; and the days of wizards are past . These early moods of unrestrained fury , a human tem- pest to match Nature's dread convulsion ...
Page 209
... nature full of honest affection and manly poten- cy . He alluded to Brabantio without any touch of anger or scorn , to himself with an air of quiet pride bottomed on con- scious worth and not on any vanity or egotism , and to Desde ...
... nature full of honest affection and manly poten- cy . He alluded to Brabantio without any touch of anger or scorn , to himself with an air of quiet pride bottomed on con- scious worth and not on any vanity or egotism , and to Desde ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words