Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
From inside the book
Results 1-3 of 86
Page 45
... mind . They ' hit together ' accordingly . They ' did something and i ' the heat ' [ I. i . 308 ] . With a speed which is probable , though necessarily exaggerated by the non- observance of the unities , they reduce the old king by ...
... mind . They ' hit together ' accordingly . They ' did something and i ' the heat ' [ I. i . 308 ] . With a speed which is probable , though necessarily exaggerated by the non- observance of the unities , they reduce the old king by ...
Page 155
... mind , until the mind is unhinged by its inability to fix it ; the past is present to haunt the present . " No cause , no cause . " Dread charity . Kent touches Lear's arm in the storm . " Wilt break my heart ? " the King says [ III ...
... mind , until the mind is unhinged by its inability to fix it ; the past is present to haunt the present . " No cause , no cause . " Dread charity . Kent touches Lear's arm in the storm . " Wilt break my heart ? " the King says [ III ...
Page 221
... mind ; but Fechter misrepresents them by making Othello free from all misgiving . He " toys with her curls , " and treats her as a father might treat a child who was asking some favour which could not be granted , yet which called for ...
... mind ; but Fechter misrepresents them by making Othello free from all misgiving . He " toys with her curls , " and treats her as a father might treat a child who was asking some favour which could not be granted , yet which called for ...
Other editions - View all
Common terms and phrases
action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words