Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 94
... meaning from that which he gave to them . Too often there was a pow- erful , but vague and generalized , emotion not related to a thinking of the words in their respective senses . For most of the performance there was for me the effect ...
... meaning from that which he gave to them . Too often there was a pow- erful , but vague and generalized , emotion not related to a thinking of the words in their respective senses . For most of the performance there was for me the effect ...
Page 356
... meaning in a dramatic action and the prevailing view of reality in the play . The conception of the " inner stage " really means the impor- tation into a play like Othello of grounds of credibility and significance according to our ...
... meaning in a dramatic action and the prevailing view of reality in the play . The conception of the " inner stage " really means the impor- tation into a play like Othello of grounds of credibility and significance according to our ...
Page 441
... meaning can be grasped less easily and its beauty less readily appreciated - they conclude that the mounting is responsible , and decide in consequence that the plays should be presented unadorned . It is not the mounting , however ...
... meaning can be grasped less easily and its beauty less readily appreciated - they conclude that the mounting is responsible , and decide in consequence that the plays should be presented unadorned . It is not the mounting , however ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words