Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 288
... lack of positive spark in their scenes togeth- er took something of the edge off Othello's power in the scenes of ... lacks a unified vision or interpretative perspective and suffers from weak per- formances by Ure and Wanamaker ...
... lack of positive spark in their scenes togeth- er took something of the edge off Othello's power in the scenes of ... lacks a unified vision or interpretative perspective and suffers from weak per- formances by Ure and Wanamaker ...
Page 313
... lack of classical training , into assets that re- inforce their interpretations . In addition , the critic remarks , this " cast of uncommon force and character " has created " an Othello full of tempestuous passions and anguished ...
... lack of classical training , into assets that re- inforce their interpretations . In addition , the critic remarks , this " cast of uncommon force and character " has created " an Othello full of tempestuous passions and anguished ...
Page 314
... lack of intelligent shaping . And it has one more vir- tue : Julienne Marie , a musical - comedy ingénue making her Shakespearean debut , is a Desdemona of startling beauty and competence . She lacks full range and verges on the coy at ...
... lack of intelligent shaping . And it has one more vir- tue : Julienne Marie , a musical - comedy ingénue making her Shakespearean debut , is a Desdemona of startling beauty and competence . She lacks full range and verges on the coy at ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words