Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 137
... imagination . " He discusses at length Lear's supposed " dramatic defects " : the sightless Gloucester's " leap " from the cliff at Dover , Lear's motivation in dividing his kingdom , the blinding of Gloucester , and the grim conclusion ...
... imagination . " He discusses at length Lear's supposed " dramatic defects " : the sightless Gloucester's " leap " from the cliff at Dover , Lear's motivation in dividing his kingdom , the blinding of Gloucester , and the grim conclusion ...
Page 141
... imagination not so very far removed from the mode with which , we must remember , Shakespeare was perfectly familiar in Morality plays and in the Fairy Queen . ( pp . 262-65 ) The influence of all this on imagination as we read King ...
... imagination not so very far removed from the mode with which , we must remember , Shakespeare was perfectly familiar in Morality plays and in the Fairy Queen . ( pp . 262-65 ) The influence of all this on imagination as we read King ...
Page 334
... imagination over the senses . She sees Othello's colour in his mind . But upon the stage , when the imagination is no longer the ruling faculty , but we are left to our poor un- assisted senses , I appeal to every one that has seen ...
... imagination over the senses . She sees Othello's colour in his mind . But upon the stage , when the imagination is no longer the ruling faculty , but we are left to our poor un- assisted senses , I appeal to every one that has seen ...
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