Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 26
... heart more royal than all the crowns and dominations of the earth - a boundless wealth of affec- tion and tenderness . If not , he can neither feel the blow nor utter the response . Lear is often said to be a part within the reach of ...
... heart more royal than all the crowns and dominations of the earth - a boundless wealth of affec- tion and tenderness . If not , he can neither feel the blow nor utter the response . Lear is often said to be a part within the reach of ...
Page 95
... heart full of love ; now his daughters have wrought a change in him , which started with the ugliness of Cordelia's " most small fault " ; the self that seemed bounded and set is no longer stable ; the love has gone from his heart , his ...
... heart full of love ; now his daughters have wrought a change in him , which started with the ugliness of Cordelia's " most small fault " ; the self that seemed bounded and set is no longer stable ; the love has gone from his heart , his ...
Page 418
... heart a mourn- ful voice speaking unintelligible words of sorrow . These scenes can never have the same charm when acted as they have , now and then , in clear moments , to the sympathetic reader . Nevertheless , they have a charm ; nor ...
... heart a mourn- ful voice speaking unintelligible words of sorrow . These scenes can never have the same charm when acted as they have , now and then , in clear moments , to the sympathetic reader . Nevertheless , they have a charm ; nor ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words