Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 14
... give any particular ef- fect to the exclamation— -Beloved Regan , Thy sister's naught : oh , Regan , she hath tied ... give the passages in a way in which nobody else would give them , and in which nobody else would expect them to be ...
... give any particular ef- fect to the exclamation— -Beloved Regan , Thy sister's naught : oh , Regan , she hath tied ... give the passages in a way in which nobody else would give them , and in which nobody else would expect them to be ...
Page 115
... give Praise to the little Gentleman , for his Performance , in some Parts of this Character , were doing him Injustice ; there is a quick spirited Manner in his Execution , that often sets off many Passages therein : But , when we ...
... give Praise to the little Gentleman , for his Performance , in some Parts of this Character , were doing him Injustice ; there is a quick spirited Manner in his Execution , that often sets off many Passages therein : But , when we ...
Page 494
... give the applause to this consummate piece of playing that it deserves : we see nature triumphing over what art would direct ; and we give it a praise which art without this strong appearance of nature never could deserve . It is not to ...
... give the applause to this consummate piece of playing that it deserves : we see nature triumphing over what art would direct ; and we give it a praise which art without this strong appearance of nature never could deserve . It is not to ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words