Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 26
... feel the blow nor utter the response . Lear is often said to be a part within the reach of only a big man . That is a mistake . But Lear requires a great heart . This above all . And then , —since even amid the chaos of his madness the ...
... feel the blow nor utter the response . Lear is often said to be a part within the reach of only a big man . That is a mistake . But Lear requires a great heart . This above all . And then , —since even amid the chaos of his madness the ...
Page 194
... feel- ing ; the deep and malignant sarcasm of brooding or trium- phant villainy ; are expressed with a vigorous rapidity of con- ception ; a power of look , voice , and gesture , which it would be in vain to seek in the most dangerous ...
... feel- ing ; the deep and malignant sarcasm of brooding or trium- phant villainy ; are expressed with a vigorous rapidity of con- ception ; a power of look , voice , and gesture , which it would be in vain to seek in the most dangerous ...
Page 259
... feel thoroughly disgusted with yourself , and you'll be natural . Walk about , but don't stamp or ' saw the air . ' 999 The idea that an actor should feel the emotions he is express- ing reappears in what is perhaps the finest ...
... feel thoroughly disgusted with yourself , and you'll be natural . Walk about , but don't stamp or ' saw the air . ' 999 The idea that an actor should feel the emotions he is express- ing reappears in what is perhaps the finest ...
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