Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 186
... expression when I see you ; Emilia must appear in the utmost vehemence , with a mixture of sorrow on account of her mistress & ( I think ) should be in the middle . Iago on ye left hand should express the greatest perturbation of mind ...
... expression when I see you ; Emilia must appear in the utmost vehemence , with a mixture of sorrow on account of her mistress & ( I think ) should be in the middle . Iago on ye left hand should express the greatest perturbation of mind ...
Page 202
... expression such as has been seldom approached . In the successive unfolding of these great scenes he represented with incomparable effect the lion - like fury , the deep and haggard pathos , the forlorn sense of desolation , alternating ...
... expression such as has been seldom approached . In the successive unfolding of these great scenes he represented with incomparable effect the lion - like fury , the deep and haggard pathos , the forlorn sense of desolation , alternating ...
Page 237
... expression and voice modulation . The wooing of Desdemona was re- counted with the accompaniment of gestures of a particularly illustrative kind . For " antres vast and deserts idle " he spread his arms with a sweeping gesture ; he ...
... expression and voice modulation . The wooing of Desdemona was re- counted with the accompaniment of gestures of a particularly illustrative kind . For " antres vast and deserts idle " he spread his arms with a sweeping gesture ; he ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words