Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 72
... emotion and word music it is , but in fitful splashes like a faulty spigot when a bit of air has got into the ... emotional low gear . True , he does manage to sob when he cries , " Let me not be mad ! " [ II . v . 46 ] but there ...
... emotion and word music it is , but in fitful splashes like a faulty spigot when a bit of air has got into the ... emotional low gear . True , he does manage to sob when he cries , " Let me not be mad ! " [ II . v . 46 ] but there ...
Page 90
... emotional force into them and because they are by Shakespeare . This " King Lear " begins by establishing a rhythm of behav- ior and speech in which courtiers dressed in scuffed leather and burlap seem to be taking their own time and to ...
... emotional force into them and because they are by Shakespeare . This " King Lear " begins by establishing a rhythm of behav- ior and speech in which courtiers dressed in scuffed leather and burlap seem to be taking their own time and to ...
Page 147
... emotion very equa- bly ; and , with music to help , keeps the power , but keeps the constraint too , of ritual . Does ... emotional effect . It is little more than sym- bolic , strikes on the emotions hardly more than do the ' al- arums ...
... emotion very equa- bly ; and , with music to help , keeps the power , but keeps the constraint too , of ritual . Does ... emotional effect . It is little more than sym- bolic , strikes on the emotions hardly more than do the ' al- arums ...
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