Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 33
... comes by single spies , not in bat- talion , and you see it growing scene by scene , until , amid the admirably managed effect of the storm , there is no room left for doubt that the kingly mind - for it was kingly , in spite of the ...
... comes by single spies , not in bat- talion , and you see it growing scene by scene , until , amid the admirably managed effect of the storm , there is no room left for doubt that the kingly mind - for it was kingly , in spite of the ...
Page 339
... comes strong and clear over the tempestuous waves , suggesting the victory of man over hos- tile nature . All this ... come both at once . While they go for the news , Desdemona talks playfully with Iago : an ex- quisite contrast and ...
... comes strong and clear over the tempestuous waves , suggesting the victory of man over hos- tile nature . All this ... come both at once . While they go for the news , Desdemona talks playfully with Iago : an ex- quisite contrast and ...
Page 515
... comes in from the left and after speaking two lines leaps over the wall into the orchard . His friends also come in from the left and failing to see him go out again on the left . This does not mean that the wall must have been six feet ...
... comes in from the left and after speaking two lines leaps over the wall into the orchard . His friends also come in from the left and failing to see him go out again on the left . This does not mean that the wall must have been six feet ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words