Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
From inside the book
Results 1-3 of 88
Page 18
... called " Who stirs ? Call Burgundy ” [ I. i . 126-27 ] —had told us at once how much consideration he needed , how much pity , of how little of himself he was indeed the master , how crushing and irrepressible was the strength of his ...
... called " Who stirs ? Call Burgundy ” [ I. i . 126-27 ] —had told us at once how much consideration he needed , how much pity , of how little of himself he was indeed the master , how crushing and irrepressible was the strength of his ...
Page 159
... called her " martyr and saviour- the precursor of a better time , " granted [ in his Shakespeare Commentaries ] that her fall was partly due to her own nature . Modern literary critics , like Robert Heilman [ in his This Great Stage ] ...
... called her " martyr and saviour- the precursor of a better time , " granted [ in his Shakespeare Commentaries ] that her fall was partly due to her own nature . Modern literary critics , like Robert Heilman [ in his This Great Stage ] ...
Page 518
... called the inner stage ) for Juliet's bed and the Capulet tomb . Twice , however , action is called for above or aloft . In [ Act II , Scene ii ] , the so - called balcony or window scene , Juliet is clearly stationed above , although ...
... called the inner stage ) for Juliet's bed and the Capulet tomb . Twice , however , action is called for above or aloft . In [ Act II , Scene ii ] , the so - called balcony or window scene , Juliet is clearly stationed above , although ...
Other editions - View all
Common terms and phrases
action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words