Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 158
... admirable but with un- mistakable flaws . " With few exceptions , she notes , Cordelia was generally represented on ... admirable but with unmis- takable flaws ? On the one hand , she forfeits a kingdom for the sake of truth , and for ...
... admirable but with un- mistakable flaws . " With few exceptions , she notes , Cordelia was generally represented on ... admirable but with unmis- takable flaws ? On the one hand , she forfeits a kingdom for the sake of truth , and for ...
Page 192
... admirable facility and effect . It was the most faultless of his performances , the most consis- tent and entire . Perhaps the accomplished hypocrite was never so finely , so adroitly portrayed - a gay , light - hearted monster , a ...
... admirable facility and effect . It was the most faultless of his performances , the most consis- tent and entire . Perhaps the accomplished hypocrite was never so finely , so adroitly portrayed - a gay , light - hearted monster , a ...
Page 242
... admirable rendering of lago . " Thus , the critic sympathizes with , and seeks to sup- port through reference to the text , Booth's " poetical view of Othello . " ] Mr. Booth's Othello is , to our thinking , a greater , if a less ...
... admirable rendering of lago . " Thus , the critic sympathizes with , and seeks to sup- port through reference to the text , Booth's " poetical view of Othello . " ] Mr. Booth's Othello is , to our thinking , a greater , if a less ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words