Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 338
... Emilia in her heart knows this . There will be no reprisals from Desdemona . Her love for Othello is not of the sort which ' alters when it alteration finds ' [ Sonnet 116 ] . ' O , who hath done this deed ? ' [ V. ii . 123 ] cries the ...
... Emilia in her heart knows this . There will be no reprisals from Desdemona . Her love for Othello is not of the sort which ' alters when it alteration finds ' [ Sonnet 116 ] . ' O , who hath done this deed ? ' [ V. ii . 123 ] cries the ...
Page 349
... Emilia's frank discussion of men had much to do with this ; Gentleman notes piously , " There are two pages judiciously curtailed from . . . this scene . " This remained the official attitude of the theatre . More than a century later ...
... Emilia's frank discussion of men had much to do with this ; Gentleman notes piously , " There are two pages judiciously curtailed from . . . this scene . " This remained the official attitude of the theatre . More than a century later ...
Page 355
... Emilia discovers her . The hero's heated dialogue with Emilia and the exposure of Iago surely would take place well forward on the stage . Yet Emilia reveals " My mistress here lies murthered in her bed " ( 1. 185 ) ; Othello " fals on ...
... Emilia discovers her . The hero's heated dialogue with Emilia and the exposure of Iago surely would take place well forward on the stage . Yet Emilia reveals " My mistress here lies murthered in her bed " ( 1. 185 ) ; Othello " fals on ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words