Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 11Gale Research Company, 1984 |
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Page 350
... Elizabethan acting , with particular inter- est in the formalist - realist dichotomy ( classical declamation versus naturalism ) to suggest how four aspects of Othello might have been performed in Shakespeare's time : general stage con ...
... Elizabethan acting , with particular inter- est in the formalist - realist dichotomy ( classical declamation versus naturalism ) to suggest how four aspects of Othello might have been performed in Shakespeare's time : general stage con ...
Page 376
... Elizabethan staging of the play , others , such as Bernard Shaw , found that " for the first time " Romeo and Juliet " became endurable . " Only performed four times , this last of the Elizabethan Stage Society's productions was ...
... Elizabethan staging of the play , others , such as Bernard Shaw , found that " for the first time " Romeo and Juliet " became endurable . " Only performed four times , this last of the Elizabethan Stage Society's productions was ...
Page 525
... Elizabethan stage conventions , Gaw contends , is " Shakespeare's solution of a rather complex problem in art economics , " the problem of cre- ating the illusion of a crowd with a severely limited number of actors . " The Occasional ...
... Elizabethan stage conventions , Gaw contends , is " Shakespeare's solution of a rather complex problem in art economics , " the problem of cre- ating the illusion of a crowd with a severely limited number of actors . " The Occasional ...
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words