The Art of John Gardner: Instruction and Exploration125 drawings exhibited by the Dusseldorf Museum in 1988. The collection and accompanying narrative essays tell the story of Julo Levin, artist and teacher, and the survival of the drawings. Finely reproduced color and bandw photos of Levin's work, that of his circle of friends, and, of course, that of the children. A translation from the German (1988, Dusseldorf: Claassen). An analysis of the work of American writer Gardner (1933-82), emphasizing his compositional method, as manifested in Grendel, The King's Indian, The Sunlight Dialogues, and Jason and Medeia. Revised from a 1985 doctoral dissertation at Olso University. Paper edition (unseen), $12.95. Annotation copyrighted by Book News, Inc., Portland, OR |
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aesthetic Agathon allusions argues artistic beauty Beowulf Blanshard Boethius borrowed Brand Blanshard calls chapter characters Chaucer civilization Clumly Coleridge collage technique Collingwood concept context Croce death dialectical dragon emotion epistemological experience exploration expression fact fallibility feels Flint Freddy's Book Gard Gardner says Gardner's fiction Gawain-poet Grendel Hrothgar Hrothgar's human ideal ideas ideational important intuitions Ishmael Jason and Medeia Jerusalem John Gardner Jonathan King's Indian Lars-Goren Le Morte Darthur literary literature man's meaning meaningless medieval Melville metafictional metaphysical Mickelsson's Ghosts mind Miranda Moby-Dick Moral Fiction narrative narrator nature ner's Nickel Mountain novel novella October Light pastoral philosophical Poe's poem poet Poetry of Chaucer possible Pym's rational morality reader reality reason scene sense Shaper spiritual story Sunlight Dialogues symbolic tale thematic theory things tion tradition truth Unferth universe VanSpanckeren vision Vlemk Wilkins Winther writer yarn