Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 361
... turn . From the first , Cassius and others know more about Brutus than does Brutus himself . As described in the ... turns the crowd against them . Contrasting the film with . Welles's prewar , anti - Fascist production , Houseman said ...
... turn . From the first , Cassius and others know more about Brutus than does Brutus himself . As described in the ... turns the crowd against them . Contrasting the film with . Welles's prewar , anti - Fascist production , Houseman said ...
Page 362
... turns loose ; like the conspirators , we have been taken in . In the next scene the real Antony surfaces again and ... turning Oc- tavius against Lepidus , Antony is left alone . He strolls over to the balcony of Caesar's apartment ...
... turns loose ; like the conspirators , we have been taken in . In the next scene the real Antony surfaces again and ... turning Oc- tavius against Lepidus , Antony is left alone . He strolls over to the balcony of Caesar's apartment ...
Page 380
... turns to a red screen for forked lightning while the ghost of Caesar re- turns as an immense blood - red effigy presiding over its en- emies ' defeat like the statue in Don Giovanni . In its handling of the text the production pursues ...
... turns to a red screen for forked lightning while the ghost of Caesar re- turns as an immense blood - red effigy presiding over its en- emies ' defeat like the statue in Don Giovanni . In its handling of the text the production pursues ...
Contents
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Copyright | |
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Common terms and phrases
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's