Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 360
... later in the Berlin rubble ; Mussolini on his balcony with that same docile mob massed below which later watched him hanging by his feet , dead . These sights are as much a part of our contemporary consciousness - in the black and white ...
... later in the Berlin rubble ; Mussolini on his balcony with that same docile mob massed below which later watched him hanging by his feet , dead . These sights are as much a part of our contemporary consciousness - in the black and white ...
Page 383
... later on in the current Stratford season . In fact Richard Johnson's Antony is first seen in Caesar as the kind of lover of white nights who will later throw away a third of the world for the sake of his Egyptian bride . His future ...
... later on in the current Stratford season . In fact Richard Johnson's Antony is first seen in Caesar as the kind of lover of white nights who will later throw away a third of the world for the sake of his Egyptian bride . His future ...
Page 417
... Later , Cæsar must fall and lie dead in a most conspicuous position upon the main stage ; still later provision must be made as it is - for removing the body . For the following scene the traverse is closed and the upper stage is used ...
... Later , Cæsar must fall and lie dead in a most conspicuous position upon the main stage ; still later provision must be made as it is - for removing the body . For the following scene the traverse is closed and the upper stage is used ...
Contents
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Copyright | |
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acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's