Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 74
... appearance changed with hair brushed back to reveal the receding hairline . Peter Brook's production concentrated on the political implications of Antony's infatuation and while this was an interesting interpretation , one missed the ...
... appearance changed with hair brushed back to reveal the receding hairline . Peter Brook's production concentrated on the political implications of Antony's infatuation and while this was an interesting interpretation , one missed the ...
Page 227
... appearance , 1.3 , when her rather bloodthirsty lines managed to come off sounding like the hyperboles of a proud mother . Worth's interpretation relied on a chemis- try between her and her son that departed from many ear- lier stage ...
... appearance , 1.3 , when her rather bloodthirsty lines managed to come off sounding like the hyperboles of a proud mother . Worth's interpretation relied on a chemis- try between her and her son that departed from many ear- lier stage ...
Page 336
... appearance , which defined him so exactly . His was a Caesar who could be found scowling at you in the weekly newsreels . ( Actually there were no insignias on the uniforms whatsoever : they were all the same dark olive green in colour ...
... appearance , which defined him so exactly . His was a Caesar who could be found scowling at you in the weekly newsreels . ( Actually there were no insignias on the uniforms whatsoever : they were all the same dark olive green in colour ...
Contents
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Copyright | |
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acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's