Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 432
Sandra L. Williamson. that Langham's staging " was nearly a Julius Caesar of sound and fury signifying nothing . " " The Canadian Shakespeare Festival . " Shakespeare Quarterly XVI , No. 4 ... JULIUS CAESAR SHAKESPEAREAN CRITICISM , Vol . 17.
Sandra L. Williamson. that Langham's staging " was nearly a Julius Caesar of sound and fury signifying nothing . " " The Canadian Shakespeare Festival . " Shakespeare Quarterly XVI , No. 4 ... JULIUS CAESAR SHAKESPEAREAN CRITICISM , Vol . 17.
Page 433
... critic avers , “ long ago passed into the history of the stage as one of the per- fect dramatic figures of our time . " Review of Julius Caesar . The New York Times ( 433 SHAKESPEAREAN CRITICISM , Vol . 17 JULIUS CAESAR.
... critic avers , “ long ago passed into the history of the stage as one of the per- fect dramatic figures of our time . " Review of Julius Caesar . The New York Times ( 433 SHAKESPEAREAN CRITICISM , Vol . 17 JULIUS CAESAR.
Page 435
Sandra L. Williamson. Review of Julius Caesar . The Times ( 20 April 1934 ) : 12 . Asserts that William Bridges - Adams's 1934 production of Julius Caesar was distinguished by its " successful use . . . of elaborately realistic scenery ...
Sandra L. Williamson. Review of Julius Caesar . The Times ( 20 April 1934 ) : 12 . Asserts that William Bridges - Adams's 1934 production of Julius Caesar was distinguished by its " successful use . . . of elaborately realistic scenery ...
Contents
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Copyright | |
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acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's