Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 35Gale Research Company, 1984 |
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Page 40
... LANGUAGE OF MADNESS Paolo Valesio ( essay date 1971 ) SOURCE : " The Language of Madness in the Renais- sance , " in Yearbook of Italian Studies , Vol . 2 , 1971 , pp . 199-230 . [ In the following essay , Valesio discusses the Renais ...
... LANGUAGE OF MADNESS Paolo Valesio ( essay date 1971 ) SOURCE : " The Language of Madness in the Renais- sance , " in Yearbook of Italian Studies , Vol . 2 , 1971 , pp . 199-230 . [ In the following essay , Valesio discusses the Renais ...
Page 44
... language in Hamlet : it could be called the problem of the narrative as a critical dimen- sion in the language of the drama . In fact , there are two different instances , in the scenes referred to above , in which the language of ...
... language in Hamlet : it could be called the problem of the narrative as a critical dimen- sion in the language of the drama . In fact , there are two different instances , in the scenes referred to above , in which the language of ...
Page 48
... language of flowers , " which is reflected in the herbals of the time ( such as the one compiled by Lyte , and published in 1578 ) . 20 Some well - known essays on Spanish themes by Leo Spitzer offer a good background for the ...
... language of flowers , " which is reflected in the herbals of the time ( such as the one compiled by Lyte , and published in 1578 ) . 20 Some well - known essays on Spanish themes by Leo Spitzer offer a good background for the ...
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A. C. Bradley action anger appears audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's innocence jealous jealousy justice kill King King Lear Laertes language Lear Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York