Memoirs of Early Italian Painters: And of the Progress of Painting in Italy, from Cimabue to Bassano |
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Page 18
... justify the praise and admiration which is now accorded to the grace , the simplicity , and the spiritual signi- ficance of these beautiful compositions . Page 18 GIOTTO . Page 19 . GIOTTO . BORN 18 [ BORN 1240 . GIOVANNI CIMABUE . GIOTTO.
... justify the praise and admiration which is now accorded to the grace , the simplicity , and the spiritual signi- ficance of these beautiful compositions . Page 18 GIOTTO . Page 19 . GIOTTO . BORN 18 [ BORN 1240 . GIOVANNI CIMABUE . GIOTTO.
Page 18
... and these justify the praise and admiration which is now accorded to the grace , the simplicity , and the spiritual significance of these beautiful compositions . HYOT ! டா Page 18 . Page 19 . GIOTTO 18 [ BORN 1240 . GIOVANNI CIMABUE .
... and these justify the praise and admiration which is now accorded to the grace , the simplicity , and the spiritual significance of these beautiful compositions . HYOT ! டா Page 18 . Page 19 . GIOTTO 18 [ BORN 1240 . GIOVANNI CIMABUE .
Page 23
... composition , which , as a first endeavour to give variety of expression and attitude to a number of persons - all seated , and all but two actuated by a similar feeling - must still be regarded as extraordinary . * In a chapel of the ...
... composition , which , as a first endeavour to give variety of expression and attitude to a number of persons - all seated , and all but two actuated by a similar feeling - must still be regarded as extraordinary . * In a chapel of the ...
Page 24
And of the Progress of Painting in Italy, from Cimabue to Bassano Mrs. Jameson (Anna). THE NAVICELLA . - GIOTTO . Page 24 . original composition . It is now in the vestibule of.
And of the Progress of Painting in Italy, from Cimabue to Bassano Mrs. Jameson (Anna). THE NAVICELLA . - GIOTTO . Page 24 . original composition . It is now in the vestibule of.
Page 24
... and again , till nothing of Giotto's work remains but the " He was probably guided by the safer evidence of Giotto's fame , " says a late critic . original composition . It is now in the vestibule of 24 [ BORN 1276 . GIOTTO .
... and again , till nothing of Giotto's work remains but the " He was probably guided by the safer evidence of Giotto's fame , " says a late critic . original composition . It is now in the vestibule of 24 [ BORN 1276 . GIOTTO .
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admiration afterwards altarpiece Andrea del Sarto Andrea Mantegna Andrea Orcagna Angelico artists Bartolomeo beautiful Bellini Benozzo Benozzo Gozzoli Bologna called Campo Santo cartoons celebrated century chapel character Christ church of Santa Cimabue colours compartments composition Correggio death designs died early employed engravings excellence executed expression famous father Fcap feeling figures Filippino Filippino Lippi Filippo Florence Florentine Fra Bartolomeo Francesco Francis frescoes genius Ghirlandajo Giorgione Giotto Giovanni grace hand head honour imitation invention Italian Italy John Julius Julius Cæsar Lionardo da Vinci Lord Lorenzo Ghiberti Louvre Madonna Mantua Masaccio Medici ment Michael Angelo National Gallery painted painter palace personages Perugino Peter picture Pisa Pisano Plates pope portrait Post 8vo Raphael remains represented Rome sacred saints Santa Maria Novella Saviour scholars sculpture Second Edition Sienna style subjects tion Titian Vasari Vatican Venetian Venice Virgin Vols walls wonderful Woodcuts
Popular passages
Page 235 - When Simon Peter saw it, he fell down at Jesus' knees, saying, Depart from me, for I am a sinful man, O Lord.
Page 232 - And now, behold, the hand of the Lord is upon thee, and thou shalt be blind, not seeing the sun for a season. And immediately there fell on him a mist and a darkness; and he went about seeking some to lead him by the hand.
Page 166 - And he answered and said, He that dippeth his hand with me in the dish, the same shall betray me.
Page 236 - Then the priest of Jupiter, which was before their city, brought oxen and garlands unto the gates, and would have done sacrifice with the people.
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Page 15 - History of Rome. From the Earliest Times to the Establishment of the Empire. With the History of Literature and Art.
Page 238 - Then Paul stood in the midst of Mars' hill, and said, Ye men of Athens, I perceive that in all things ye are too superstitious. For as I passed by, and beheld your devotions, I found an altar with this inscription, TO THE UNKNOWN GOD. Whom therefore ye ignorantly worship, him declare I unto you.
Page 195 - A light, a darkness, mingling each with each ; Both, and yet neither. There, from age to age, Two ghosts are sitting on their sepulchres. That is the Duke Lorenzo. Mark him well. He meditates, his head upon his hand. What from beneath his helm-like bonnet scowls ? Is it a face, or but an eyeless skull ? 'Tis lost in shade ; yet, like the basilisk, It fascinates, and is intolerable.
Page 233 - Then Peter said, Silver and gold have I none; but such as I have give I thee: In the name of Jesus Christ of Nazareth rise up and walk.
Page 182 - I gave him so violent a blow upon the nose that I felt the bone and cartilage yield under my hand as if they had been made of paste, and the mark I then gave him he will carry to his grave...