The Corporeal Self: Allegories of the Body in Melville and HawthorneThe Corporeal Self argues that questions about identity, conceived in bodily terms, are not only relevant for Melville and Hawthorne, the two nineteenth-century authors whose works are positioned at opposite extremes of the consideration of human identity, but lie at the heart of the American literary tradition, and have, in that tradition, their own revisionary status. |
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Page i
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Page iv
... corporeal self : allegories of the body in Melville and Hawthorne / Sharon Cameron . p . cm . Reprint , with new pref . Originally published : Baltimore Johns Hopkins University Press , © 1981 . Includes bibliographical references . SBN ...
... corporeal self : allegories of the body in Melville and Hawthorne / Sharon Cameron . p . cm . Reprint , with new pref . Originally published : Baltimore Johns Hopkins University Press , © 1981 . Includes bibliographical references . SBN ...
Page v
... 51 35 2 The Self in Itself Hawthorne's Constructions of the Human 77 Representative Men 88 Graves and Monuments 111 Habiliments of Flesh and Blood 131 Notes 159 Preface to the Morningside Edition The Corporeal Self is a [ v ]
... 51 35 2 The Self in Itself Hawthorne's Constructions of the Human 77 Representative Men 88 Graves and Monuments 111 Habiliments of Flesh and Blood 131 Notes 159 Preface to the Morningside Edition The Corporeal Self is a [ v ]
Page vii
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Page ix
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Other editions - View all
The Corporeal Self: Allegories of the Body in Melville and Hawthorne Sharon Cameron No preview available - 1991 |
Common terms and phrases
acknowledge Ahab Ahab's allegory Ambitious Guest American novel analogy asks become bodily body's Bosom-Serpent Brit Bulkington carpenter chapter conceived confusion connection consequence context corporeal dead death depicts desire devil Devil in Manuscript difference disembodiment dismemberment displaced distinction doubloon emblem embodiment essence Ethan Brand exist exterior external eyes fact Fedallah feel fiction flesh grief Hawthorne's characters Hence Herman Melville human body idea identity imagined inside insists interpretation invisible Ishmael King Lear kinsman literal literary look Major Molineux man's meaning Melville's metaphor mind Moby-Dick monument mortal murder narrative narrator nonetheless object one's palpable person philosophical Pip's predicated question relation relationship representation representative Robin Roderick Roger Malvin says seems self's sense separate simply simultaneously soul split stands Starbuck story suggest synecdochic tale tale's tell thing thou tion told turn understand University Press visible voice Wakefield whale whole wish words Young Goodman Brown