Fulvius Ursinus, of which the reverse shows a circus, supposed, however, by some to represent the Circus Maximus. It gives a very good idea of that place of exercise. The soil has been but little raised, if we may judge from the small cellular structure at the end of the Spina, which was probably the chapel of the god Consus. This cell is half beneath the soil, as it must have been in the circus itself, for Dionysius* could not be persuaded to believe that this divinity was the Roman Neptune, because his altar was underground. STANZA CXXVII. Yet let us ponder boldly— "At all events," says the author of the Academical Questions, "I trust, whatever may be the fate of my own speculations, that philosophy will regain that estimation which it ought to possess. The free and philosophic spirit of our nation has been the theme of admiration to the world. This was the proud distinction of Englishmen, and the luminous source of all their glory. Shall we then forget the manly and dignified sentiments of our ancestors, to prate in the language of the mother or the nurse about our good old prejudices? This is not the way to defend the cause of truth. It was not thus that our fathers maintained it in the brilliant periods of our history. Prejudice may be trusted to guard the outworks for a short space of time, while reason slumbers in the citadel; but if the latter sink into a lethargy, the former will quickly erect a standard for herself. Philosophy, wisdom, and liberty, support each other: he who will not reason, is a bigot; he who cannot, is a fool; and he who dares not, is a slave." Preface, p. xiv. xv. vol. i. 1805. STANZA CXXXII. - great Nemesis! Here, where the ancient paid thee homage long We read in Suetonius, that Augustus, from a warning received in a dream †, counterfeited, once a year, the beggar, sitting before the gate of his palace with his hand hollowed and stretched out for charity. A statue formerly in the Villa Borghese, and which should be now at Paris, represents the Emperor in that posture of supplication. The object of this self degradation was the appeasement of Nemesis, the perpetual attendant on good fortune, of whose power the Roman conquerors were also reminded by certain symbols attached to their cars of triumph. The symbols were the whip and the crotalo, which were discovered in the Nemesis of the Vatican. The attitude of beggary made the above statue pass for that of Belisarius: and until the criticism of Winkelmann had rectified the mistake, one fiction was called in to support * Antiq. Rom. lib. ii. cap. xxxi. + Sueton. in vit. Augusti, cap. 91. Casaubon, in the note, refers to Plutarch's Lives of Camillus and Æmilius Paulus, and also to his apophthegms, for the character of this deity. The hollowed hand was reckoned the last degree of degradation; and when the dead body of the præfect Rufinus was borne about in triumph by the people, the indignity was increased by putting his hand in that position. ‡ Storia delle Arti, &c. lib. xii. cap. iii. tom. ii. p. 422. Visconti calls the statue, however, a Cybele. It is given in the Museo Pio-Clement. tom. i. par. 40. The Abate Fea (Spiegazione dei Rami. Storia, &c. tom. iii. p. 513.) calls it a Chrisippus. and Maffei thought it the identical statue; but that statue was of bronze. The gladiator was once in the villa Ludovizi, and was bought by Clement XII. The right arm is an entire restoration of Michael Angelo †. STANZA CXLI. he, their sire, Butcher'd to make a Roman holiday Gladiators were of two kinds, compelled and voluntary; and were supplied from several conditions ;-from slaves sold for that purpose; from culprits; from barbarian captives either taken in war, and, after being led in triumph, set apart for the games, or those seized and condemned as rebels; also from free citizens, some fighting for hire (auctorati), others from a depraved ambition at last even knights and senators were exhibited,—a disgrace of which the first tyrant was naturally the first inventor. In the end, dwarfs, and even women, fought; an enormity prohibited by Severus. Of these the most to be pitied undoubtedly were the barbarian captives; and to this species a Christian writer § justly applies the epithet " innocent," to distinguish them from the professional gladiators. Aurelian and Claudius supplied great numbers of these unfortunate victims; the one after his triumph, and the other on the pretext of a rebellion. No war, says Lipsius T, was ever so destructive to the human race as these sports. In spite of the laws of Constantine and Constans, gladiatorial shows survived the old established religion more than seventy years; but they owed their final extinction to the courage of a Christian. In the year 404, on the kalends of January, they were exhibiting the shows in the Flavian amphitheatre before the usual immense concourse of people. Almachius or Telemachus, an eastern monk, who had travelled to Rome intent on his holy purpose, rushed into the midst of the arena, and endeavoured to separate the combatants. The prætor Alypius, a person incredibly attached to these games **, gave instant orders to the gladiators to slay him; and Telemachus gained the crown of martyrdom, and the title of saint, which surely has never either before or since been awarded for a more noble exploit. Honorius immediately abolished the shows, which were never afterwards revived. The story is told by Theodoret ++ and Cassiodorus ‡‡, and seems worthy of credit notwithstanding its place in the Roman martyrology §§. * Racc. stat. tab. 64. + Mus. Capitol. tom. iii. p. 154. edit. 1755. ‡ Julius Cæsar, who rose by the fall of the aristocracy, brought Furius Leptinus and A. Calenus upon the arena. § Tertullian," certe quidem et innocentes gladiatores in ludum veniunt, ut voluptatis publica hostia fiant." Just. Lips. Saturn. Sermon. lib. ii. cap. iii. Vopiscus, in vit. Aurel. and, in vit. Claud. ibid. "Credo imò scio nullum bellum tantam cladem vastitiemque generi humano intulisse, quam hos ad voluptatem ludos." Just. Lips. ibid. lib. i. cap. xii. ** Augustinus (lib. vi. confess. cap. viii.) " Alypium suum gladiatorii spectaculi inhiatu incredibiliter abreptum," scribit. ib. lib. i. cap. xii. + Hist. Eccles. cap. xxvi. lib. v. Cassiod. Tripartita, 1. x. c. xi. Saturn. ib. ib. §§ Baronius, ad. ann. et in notis ad Martyrol. Rom. 1. Jan. See-Marangoni delle memorie sacre e profane dell' Anfiteatro Flavio, p. 25. edit. 1746. Besides the torrents of blood which flowed at the funerals, in the amphitheatres, the circus, the forums, and other public places, gladiators were introduced at feasts, and tore each other to pieces amidst the supper tables, to the great delight and applause of the guests. Yet Lipsius permits himself to suppose the loss of courage, and the evident degeneracy of mankind, to be nearly connected with the abolition of these bloody spectacles *. STANZA CXLII. Here, where the Roman million's blame or praise Was death or life, the playthings of a crowd, When one gladiator wounded another, he shouted, "he has it," “hoc habet," or "habet." The wounded combatant dropped his weapon, and advancing to the edge of the arena, supplicated the spectators. If he had fought well, the people saved him; if otherwise, or as they happened to be inclined, they turned down their thumbs, and he was slain. They were occasionally so savage that they were impatient if a combat lasted longer than ordinary without wounds or death. The emperor's presence generally saved the vanquished: and it is recorded as an instance of Caracalla's ferocity, that he sent those who supplicated him for life, in a spectacle at Nicomedia, to ask the people; in other words, handed them over to be slain. A similar ceremony is observed at the Spanish bull-fights. The magistrate presides; and after the horsemen and piccadores have fought the bull, the matadore steps forward and bows to him for permission to kill the animal. If the bull has done his duty by killing two or three horses, or a man, which last is rare, the people interfere with shouts, the ladies wave their handkerchiefs, and the animal is saved. The wounds and death of the horses are accompanied with the loudest acclamations, and many gestures of delight, especially from the female portion of the audience, including those of the gentlest blood. Every thing depends on habit. The author of Childe Harold, the writer of this note, and one or two other Englishmen, who have certainly in other days borne the sight of a pitched battle, were, during the summer of 1809, in the governor's box at the great amphitheatre of Santa Maria, opposite to Cadiz. The death of one or two horses completely satisfied their curiosity. A gentleman present, observing them shudder and look pale, noticed that unusual reception of so delightful a sport to some young ladies, who stared and smiled, and continued their applauses as another horse fell bleeding to the ground. One bull killed three horses off his own horns. He was saved by acclamations, which were redoubled when it was known he belonged to a priest. An Englishman who can be much pleased with seeing two men beat themselves to pieces, cannot bear to look at a horse galloping round an arena with his bowels trailing on the ground, and turns from the spectacle and the spectators with horror and disgust. * "Quod non tu Lipsi momentum aliquod habuisse censes ad virtutem? Magnum. Tempora nostra, nosque ipsos videamus. Oppidum ecce unum alterumve captum, direptum est; tumultus circa nos, non in nobis ; et tamen concidimus et turbamur. Ubi robur, ubi tot per annos meditata sapientiæ studia? ubi ille animus qui possit dicere, si fractus illabatur orbis 7" &c. Just. Lips. Saturn. Sermon. lib. ii. cap. xxv. The prototype of Mr. Windham's panegyric on bull-baiting. |