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HENRY W. LONGFELLOW.

schoolmaster, the clergyman, the lovers and the rustics of a New England village in his tale of Kavanagh; has reproduced the simple elegance of the lighter Spanish drama in his play of the Student; and in his Golden Legend has carried us, in his ingenious verse, to the heart of the Middle Ages, showing us the most poetic aspects of the lives of scholars, churchmen, and villagers, how they sang, travelled, practised logic, medicine, and divinity, and with what miracle plays, jest, and grim literature they were entertained. His originality and peculiar merit consist in these felicitous transformations. If he were simply a scholar, he would be but an annalist or an annotator; but being a poet of taste and imagination, with an ardent sympathy for all good and refined traits in the world, and for all forms of the objective life of others, his writings being the very emanations of a kind generous nature, he has succeeded in reaching the heart of the public. All men relish art and literature when they are free from pedantry. We are all pleased with pictures, and like to be charmed into thinking nobly and acting well by the delights of fancy.

In his personal appearance, frank, graceful manner, fortune, and mode of life, Mr. Longfellow reflects or anticipates the elegance of his writings. In a home surrounded by every refinement of art and cultivated intercourse, in the midst of his family and friends, the genial humorist enjoys a retired leisure, from which many ripe fruits of literature may yet be looked for.

A PSALM OF LIFE-WHAT THE HEART OF THE YOUNG MAN SAID TO
THE PSALMIST.

Tell me not, in mournful numbers,
Life is but an empty dream!
For the soul is dead that slumbers,

And things are not what they seem.

Life is real! Life is earnest!

And the grave is not its goal;
Dust thou art, to dust returnest,
Was not spoken of the soul.
Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each to-morrow
Find us farther than to-day.

Art is long, and Time is fleeting,

And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.

In the world's broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!

Trust no Future, howe'er pleasant!
Let the dead Past bury its dead!
Act, act in the living Present!
Heart within, and God o'erhead!
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;
Footprints, that perhaps another,
Sailing o'er life's solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.

Let us, then, be up and doing, With a heart for any fate; Still achieving, still pursuing, Learn to labor and to wait.

FOOTSTEPS OF ANGELS.

When the hours of Day are numbered,
And the voices of the Night
Wake the better soul, that slumbered,
To a holy, calm delight;

Ere the evening lamps are lighted,
And, like phantoms grim and tall,
Shadows from the fitful fire-light

Dance upon the parlour-wall;
Then the forms of the departed
Enter at the open door;
The beloved, the true-hearted,

Come to visit me once more;

He, the young and strong, who cherished
Noble longings for the strife,
By the road-side fell and perished,
Weary with the march of life!
They, the holy ones and weakly,

Who the cross of suffering bore,
Folded their pale hands so meekly,
Spake with us on earth no more!
And with them the Being Beauteous,
Who unto my youth was given,
More than all things else to love me,
And is now a saint in heaven.
With a slow and noiseless footstep

Comes that messenger divine,
Takes the vacant chair beside me,
Lays her gentle hand in mine.
And she sits and gazes at me

With those deep and tender eyes,
Like the stars, so still and saint-like,
Looking downward from the skies.
Uttered not, yet comprehended,

Is the spirit's voiceless prayer,
Soft rebukes, in blessings ended,
Breathing from her lips of air.
O, though oft depressed and lonely,
All my fears are laid aside,
If I but remember only

Such as these have lived and died!

GOD'S-ACRE.

I like that ancient Saxon phrase, which calls
The burial-ground God's-Acre! It is just;
It consecrates each grave within its walls,
And breathes a benison o'er the sleeping dust.
God's-Acre! Yes, that blessed name imparts
Comfort to those who in the grave have sown
The seed that they had garnered in their hearts
Their bread of life, alas! no more their own.
Into its furrows shall we all be cast,

In the sure faith that we shall rise again
At the great harvest, when the archangel's blast
Shall winnow, like a fan, the chaff and grain.
Then shall the good stand in immortal bloom,
In the fair gardens of that second birth;
And each bright blossom mingle its perfume
With that of flowers which never bloomed on
earth.

With thy rude ploughshare, Death, turn up the sod,
And spread the furrow for the seed we sow;
This is the field and Acre of our God.

This is the place where human harvests grow?

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EXCELSIOR.

The shades of night were falling fast,
As through an Alpine village passed
A youth, who bore, 'mid snow and ice,
A banner with the strange device,
Excelsior!

His brow was sad; his
eye beneath
Flashed like a falchion from its sheath,
And like a silver clarion rung

The accents of that unknown tongue,
Excelsior!

In happy homes he saw the light

Of household fires gleam warm and bright;
Above, the spectral glaciers shone,

And from his lips escaped a groan,
Excelsior!

Try not the pass!" the old man said; "Dark lowers the tempest overhead,

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The roaring torrent is deep and wide!"
And loud that clarion voice replied,
Excelsior!

'O, stay," the maiden said, "and rest
Thy weary head upon this breast!"
A tear stood in his bright blue eye,
But still he answered, with a sigh,
Excelsior!

"Beware the pine-tree's withered branch! Beware the awful avalanche !"

This was the peasant's last good-night;
A voice replied, far up the height,
Excelsior!

At break of day, as heavenward
The pious monks of Saint Bernard
Uttered the oft-repeated prayer,

A voice cried through the startled air,
Excelsior!

A traveller, by the faithful hound,
Half-buried in the snow was found,
Still grasping in his hand of ice
That banner with the strange device,
Excelsior!

There, in the twilight cold and gray,
Lifeless, but beautiful, he lay,
And from the sky, serene and far,
A voice fell, like a falling star,
Excelsior!

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With more than their wonted noise
And commotion;

And down the wet streets

Sail their mimic fleets,
Till the treacherous pool
Engulfs them in its whirling
And turbulent ocean.

In the country, on every side,
Where far and wide,

Like a leopard's tawny and spotted hide,
Stretches the plain,

To the dry grass and the drier grain
How welcome is the rain!

In the furrowed land

The toilsome and patient oxen stand;
Lifting the yoke-encumbered head,
With their dilated nostrils spread,
They silently inhale

The clover-scented gale,

And the vapors that arise

From the well watered and smoking soil. For this rest in the furrow after toil Their large and lustrous eyes

Seem to thank the Lord,

More than man's spoken word.

Near at hand,

From under the sheltering trees,
The farmer sees

His pastures, and his fields of grain,
As they bend their tops

To the numberless beating drops
Of the incessant rain.

He counts it as no sin

That he sees therein

Only his own thrift and gain.
These, and far more than these,
The Poet sees!
He can behold
Aquarius old

Walking the fenceless fields of air;
And from each ample fold

Of the clouds about him rolled
Scattering everywhere

The showery rain,

As the farmer scatters his grain.

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There is no flock, however watched and tended,
But one dead lamb is there!
There is no fireside, howsoe'er defended,

But has one vacant chair!

The air is full of farewells to the dying,
And mournings for the dead;

The heart of Rachel for her children crying
Will not be comforted!

Let us be patient! these severe afflictions
Not from the ground arise,

But oftentimes celestial benedictions

Assume this dark disguise.

We see but dimly through the mists and vapors ;
Amid these earthly damps

What seem to us but dim funereal tapers
May be Heaven's distant lamps.

There is no Death! what seems so is transition;
This life of Mortal breath

Is but a suburb of the life elysian,

Whose portal we call Death.

She is not dead-the child of our affection-
But gone unto that school

Where she no longer needs our poor protection,
And Christ himself doth rule.

In that great cloister's stillness and seclusion
By guardian angels led,

Safe from temptation, safe from sin's pollution,
She lives, whom we call dead.

Day after day we think what she is doing,
In those bright realms of air;

Year after year, her tender steps pursuing,
Behold her grown more fair.

Thus do we walk with her, and keep unbroken
The bond which nature gives,

Thinking that our remembrance, though unspoken,
May reach her where she lives.

Not as a child shall we again behold her;
For when with raptures wild

In our embraces we again enfold her,

She will not be a child;

But a fair maiden, in her Father's mansion,
Clothed with celestial grace;

And beautiful with all the soul's expansion
Shall we behold her face.

And though at times, impetuous with emotion
And anguish long suppressed,

The swelling heart heaves moaning like the ocean
That cannot be at rest;

We will be patient! and assuage the feeling

We cannot wholly stay;

By silence sanctifying, not concealing,

The grief that must have way.

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Like a monk, who, under his cloak,
Crosses himself, and sighs, alas!
With sorrowful voice to all who pass,-
"For ever-never?

Never for ever!"

By day its voice is low and light;
But in the silent dead of night,
Distinct as a passing footstep's fall,
It echoes along the vacant hall,
Along the ceiling, along the floor,
And seems to say at each chamber door,-
"For ever-never!
Never-for ever!"

Through days of sorrow and of mirth,
Through days of death and days of birth,
Through every swift vicissitude

Of changeful time, unchanged it has stood,
And as if, like God, it all things saw,
It calmly repeats those words of awe,-
66 For ever-never!
Never-for ever!"

In that mansion used to be
Free-hearted Hospitality;

His great fires up the chimney roared;
The stranger feasted at his board;
But, like the skeleton at the feast,
That warning timepiece never ceased,-
"For ever-never!
Never-for ever!"

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From that chamber, clothed in white,
The bride came forth on her wedding night;
There, in that silent room below,
The dead lay in his shroud of snow,
And in the hush that followed the prayer,
Was heard the old clock on the stair,-
"For ever-never!
Never-for ever!"

All are scattered now and fled,
Some are married, some are dead;
And when I ask with throbs of pain,
"Ah! when shall they all meet again?".
As in the days long since gone by,
The ancient timepiece makes reply,-

"For ever-never!
Never-for ever!"

Never here, for ever there,

Where all parting, pain, and care,

And death, and time shall disappear,-
For ever there, but never herel

The horologe of Eternity

Sayeth this incessantly,

"For ever

never!

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While underneath such leafy tents they keep
The long, mysterious Exodus of Death.
And these sepulchral stones, so old and brown,
That pave with level flags their burial-place,
Are like the tablets of the Law, thrown down
And broken by Moses at the mountain's base.
The very names recorded here are strange,

Of foreign accent, and of different climes;
Alvares and Rivera interchange

With Abraham and Jacob of old times. "Blessed be God! for he created Death!"

The mourners said: “and Death is rest and peace." Then added, in the certainty of faith:

66

And giveth Life, that never more shall cease."

Closed are the portals of their Synagogue,

No Psalms of David now the silence break, No Rabbi reads the ancient Decalogue

In the grand dialect the Prophets spake.

Gone are the living but the dead remain,
And not neglected, for a hand unseen,
Scattering its bounty, like a summer rain,

Still keeps their graves and their remembrance
green.

How came they here? What burst of Christian hate,
What persecution, merciless and blind,
Drove o'er the sea,-that desert, desolate-
These Ishmaels and Hagars of mankind?
They lived in narrow streets and lanes obscure,
Ghetto or Judenstrass', in mirk and mire:
Taught in the school of patience to endure
The life of anguish and the death of fire.
All their lives long, with the unleavened bread
And bitter herbs of exile and its fears,
The wasting famine of the heart they fed,

And slaked its thirst with marah of their tears.

Anathema maranatha! was the cry

That rang from town to town, from street to street; At every gate the accursed Mordecai

Was mocked and jeered, and spurned by Christian feet.

Pride and humiliation hand in hand

Walked with them through the world where'er
they went;

Trampled and beaten were they as the sand,
And yet unshaken as the continent.

For in the background figures vague and vast,
Of patriarchs and of prophets rose sublime,
And all the great traditions of the Past

They saw reflected in the coming time.
And thus for ever with reverted look

The mystic volume of the world they read, Spelling it backward like a Hebrew book,

Till life became a legend of the Dead.

But ah! what once has been shall be no more!
The groaning earth in travail and in pain
Brings forth its races, but does not restore,
And the dead nations never rise again.

SCENERY OF THE MISSISSIPPI-FROM EVANGELINE.

Onward o'er sunken sands, through a wilderness sombre with forests,

Day after day they glided adown the turbulent river;

Night after night, by their blazing fires, encamped on its borders.

Now through rushing chutes, among green islands, where plumelike

Cotton-trees nodded their shadowy crests, they swept with the current,

Then emerged into broad lagoons, where silvery sand-bars

Lay in the stream, and along the wimpling waves of their margin,

Shining with snow-white plumes, large flocks of pelicans waded.

Level the landscape grew, and along the shores of the river,

Shaded by China trees, in the midst of luxuriant gardens,

Stood the houses of planters, with negro-cabins and dove-cots.

They were approaching the region where reigns perpetual summer,

Where through the Golden Coast, and groves of

orange and citron,

Sweeps with majestic curve the river away to the eastward.

They, too, swerved from their course; and, entering the Bayou of Plaquemine,

Soon were lost in a maze of sluggish and devious

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Plaintive at first were the tones and sad, then soaring to madness

Seemed they to follow or guide the revel of frenzied Bacchantes.

Then single notes were heard, in sorrowful, low lamentation;

Till, having gathered them all, he flung them abroad in derision,

As when, after a storm, a gust of wind through the tree-tops

Shakes down the rattling rain in a crystal shower on the branches.

With such a prelude as this, and hearts that throbbed with emotion,

Slowly they entered the Têche, where it flows through the green Opelousas,

And through the amber air, above the crest of the woodland,

Saw the column of smoke that rose from a neighboring dwelling;

Sounds of a horn they heard, and the distant lowing of cattle.

PIC-NIC AT ROARING BROOK-FROM KAVANAGII.

Every state, and almost every county, of New England, has its Roaring Brook,-a mountain streamlet, overhung by woods, impeded by a mill, encumbered by fallen trees, but ever racing, rushing, roaring down through gurgling gullies, and filling the forest with its delicious sound and freshness; the drinking-place of home-returning herds; the mysterious haunt of squirrels and blue-jays, the sylvan retreat of school-girls, who frequent it on summer holidays, and mingle their restless thoughts, their overflowing fancies, their fair imaginings, with its restless, exuberant, and rejoicing stream.

Fairmeadow had no Roaring Brook. As its name indicates, it was too level a land for that. But the neighbouring town of Westwood, lying more inland, and among the hills, had one of the fairest and fullest of all the brooks that roar. It was the boast of the neighbourhood. Not to have seen it, was to have seen no brook, no waterfall, no mountain ravine. And, consequently, to behold it and admire, was Kavanagh taken by Mr. Churchill as soon as the summer vacation gave leisure and opportunity. The party consisted of Mr. and Mrs. Churchill, and Alfred, in a one-horse chaise, and Cecilia, Alice, and Kavanagh, in a carryall-the fourth seat in which was occupied by a large basket, containing what the Squire of the Grove, in Don Quixote, called his "fiambreras," that magniloquent Castilian word for cold collation. Over warm uplands, smelling of clover and mint; through cool glades, still wet with the rain of yesterday, along the river; across the rattling and tilting planks of wooden bridges, by orchards, by the gates of fields, with the tall mullen growing at the bars, by stone walls overrun with privet and barberries, in sun and heat, in shadow and coolness,-forward drove the happy party on that pleasant summer morning.

At length they reached the Roaring Brook. From a gorge in the mountains, through a long, winding gallery of birch, and beech, and pine, leaped the bright, brown waters of the jubilant streamlet; out of the woods, across the plain, under the rude bridge of logs, into the woods again,-a day between two nights. With it went a song that made the heart sing likewise, a song of joy, and exultation, and freedom, a continuous and unbroken song of life, and pleasure, and perpetual youth. Like the old Icelandic Scald, the streamlet seemed to say,

"I am possessed of songs such as neither the spouse of a king, nor any son of man, can repeat: VOL. II.-29

one of them is called the Helper; it will help thee at thy need, in sickness, grief, and all adversity."

The little party left their carriages at a farmhouse by the bridge, and followed the rough road on foot along the brook; now close upon it, now shut out by intervening trees. Mr. Churchill, bearing the basket on his arm, walked in front with his wife and Alfred. Kavanagh came behind with Cecilia and Alice. The music of the brook silenced all conversation; only occasional exclamations of delight were uttered, the irrepressible applause of fresh and sensitive natures, in a scene so lovely. Presently, turning off from the road, which led directly to the mill, and was rough with the tracks of heavy wheels, they went down to the margin of the brook.

"How indescribably beautiful this brown water is!" exclaimed Kavanagh. "It is like wine, or the nectar of the gods of Olympus; as if the falling Hebe had poured it from the goblet."

"More like the mead or metheglin of the northern gods," said Mr. Churchill," spilled from the drinkinghorns of Valhalla."

But all the ladies thought Kavanagh's comparison the better of the two, and in fact the best that could be made; and Mr. Churchill was obliged to retract, and apologize for his allusion to the celestial ale-house of Odin.

Ere long they were forced to cross the brook, stepping from stone to stone, over the little rapids and cascades. All crossed lightly, easily, safely; even "the sumpter mule," as Mr. Churchill called himself, on account of the pannier. Only Cecilia lingered behind, as if afraid to cross. Cecilia, who had crossed at that same place a hundred times before,-Cecilia, who had the surest foot, and the firmest nerves, of all the village maidens, she now stood irresolute, seized with a sudden tremor, biushing and laughing at her own timidity, and yet unable to advance. Kavanagh saw her embarrassment, and hastened back to help her. Her hand trembled in his; she thanked him with a gentle look and word. His whole soul was softened within him. His attitude, his countenance, his voice were alike submissive and subdued. He was as one penetrated with the tenderest emotions.

It is difficult to know at what moment love begins; it is less difficult to know that it has begun. A thousand heralds proclaim it to the listening air; a thousand ministers and messengers betray it to the eye. Tone, act, attitude and look,-the signals upon the countenance, the electric telegraph of touch; all these betray the yielding citadel before the word itself is uttered, which, like the key surrendered, opens every avenue and gate of entrance, and makes retreat impossible.

The day passed delightfully with all. They sat upon the stones and the roots of trees. Cecilia read, from a volume she had brought with her, poems that rhymed with the running water. The others listened and commented. Little Alfred waded in the stream, with his bare white feet, and launched boats over the falls. Noon had been fixed upon for dining; but they anticipated it by at least an hour. The great basket was opened, endless sandwiches were drawn forth, and a cold pastry, as large as that of the Squire of the Grove. During the repast, Mr. Churchill slipped into the brook, while in the act of handing a sandwich to his wife, which caused unbounded mirth and Kavanagh sat down on a mossy trunk, that gave way beneath him, and crumbled into powder. This, also, was received with great merriment.

After dinner, they ascended the brook still farther -indeed, quite to the mill, which was not going. It had been stopped in the midst of its work. The

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