Handbook of Painting: The Italian schools, Part 2 |
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Page 272
... Sir Charles Lock Eastlake. FA 3765. 2. 2 ( 2 ) HARVARD UNIVERSITY LIBRARY . MAY 6 1.04 LONDON : PRINTED BY W. CLOWES AND SONS , STAMFORD STREET , AND CHARING CROSS . BOOK V. PERIOD OF HIGHEST DEVELOPMENT AND DECLINE . MASTERS.
... Sir Charles Lock Eastlake. FA 3765. 2. 2 ( 2 ) HARVARD UNIVERSITY LIBRARY . MAY 6 1.04 LONDON : PRINTED BY W. CLOWES AND SONS , STAMFORD STREET , AND CHARING CROSS . BOOK V. PERIOD OF HIGHEST DEVELOPMENT AND DECLINE . MASTERS.
Page 273
... period we find the most elevated subjects , represented in the noblest form , with a depth of feeling never since equalled . It was only for a short period that Art maintained this high degree of perfection - scarcely more than one ...
... period we find the most elevated subjects , represented in the noblest form , with a depth of feeling never since equalled . It was only for a short period that Art maintained this high degree of perfection - scarcely more than one ...
Page 274
... period , either earlier or later . But such is the essence of beauty , it is confined to no fixed canon , it pervades life in its whole extent , and may still be conceived freely , and represented in a freely created form , by the ...
... period , either earlier or later . But such is the essence of beauty , it is confined to no fixed canon , it pervades life in its whole extent , and may still be conceived freely , and represented in a freely created form , by the ...
Page 276
... period of Raphael was not indebted in the first instance to the antique , but rather felt itself marvellously inspired by its spirit ; and borrowing from it not the merely national and accidental , but the immutable and the infinite ...
... period of Raphael was not indebted in the first instance to the antique , but rather felt itself marvellously inspired by its spirit ; and borrowing from it not the merely national and accidental , but the immutable and the infinite ...
Page 283
... his Trésor de Fontainebleau , published in 1642 , calls this a Duchess of Mantua . See Dr. Waagen , Kunstwerke in Paris , 1839.-ED. ] to the earlier period of the master . A very Chap . I. 283 LEONARDO DA VINCI AND HIS FOLLOWERS .
... his Trésor de Fontainebleau , published in 1642 , calls this a Duchess of Mantua . See Dr. Waagen , Kunstwerke in Paris , 1839.-ED. ] to the earlier period of the master . A very Chap . I. 283 LEONARDO DA VINCI AND HIS FOLLOWERS .
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Common terms and phrases
Academy Adoration altar-piece Andrea appears artist ascribed Bartolommeo beautiful Bellini belong Berlin Museum Bernardino Bologna Borghese Brera Carracci cartoon ceiling celebrated century Chapel character chiaroscuro Christ church colouring composition Correggio display Domenichino Domenico drapery Duomo engravings excellent executed expression Fcap feeling figures Florentine Fra Bartolommeo Francesco Francis fresco Giorgione Giovanni Giulio Romano graceful grand Guercino Guido Reni hand head History Holy Family imitation Italian Italy John kneeling landscape later Leonardo da Vinci Lorenzo Louvre manner Marc Antonio Marco Maria master Michael Angelo Milan Mosaics Naples Niccolò Niccolò Alunno noble original painted painter Palazzo Paolo Parmigianino Passavant Paul Paul Veronese peculiar period Perugino picture Pietro Pitti Palace portraits Post 8vo Raphael Razzi representation represented Roman Rome saints scene scholars Second Edition style subjects tapestries Third Edition Tintoretto tion Titian Uffizj at Florence Vasari Vatican Venetian Venice Veronese Virgin Vols Woodcuts youth
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